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THE RUINOUS SWEEP

Suspenseful and complex, this will mesmerize readers patient enough to stick with it.

A teen boy with anger issues, critically injured in a car accident, is suspected of murdering his alcoholic father and staunchly defended by his high school girlfriend, Bee.

The first part of Wynne-Jones’ (Secret Agent Man Goes Shopping for Shoes, 2016, etc.) novel has a hallucinatory quality. Occasional chapters describe Bee’s vigil by Donovan’s bedside in the ICU, while the bulk of the text describes Dono’s travels through a nightmarish world fraught with violence and danger. A series of bizarre encounters and escapes keeps readers off-balance, unsure what details, if any, are real. In this section, similarities to Dante’s Inferno may or may not resonate with teen readers. A sharp break in the narrative occurs after a dramatic event and shifts the focus to Bee and the tone from horror-inflected to whodunit. Bee’s detecting efforts bear fruit, but her foolhardy risk-taking is clearly plot-driven and may frustrate some readers. Wynne-Jones’ writing is smooth and compelling, and certain images will likely linger in readers’ minds. However, most characters are adults, which may distance some teens, and the motivation for the murder is both decidedly adult and not entirely convincing. Some aspects of the first section never quite connect to the rest, while the enigmatic author’s note raises further questions. No racial diversity is apparent; class differences are implied.

Suspenseful and complex, this will mesmerize readers patient enough to stick with it. (author’s note) (Fiction. 14-18)

Pub Date: June 26, 2018

ISBN: 978-0-7636-9745-7

Page Count: 400

Publisher: Candlewick

Review Posted Online: April 2, 2018

Kirkus Reviews Issue: April 15, 2018

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STALKING JACK THE RIPPER

Perhaps a more genuinely enlightened protagonist would have made this debut more engaging

Audrey Rose Wadsworth, 17, would rather perform autopsies in her uncle’s dark laboratory than find a suitable husband, as is the socially acceptable rite of passage for a young, white British lady in the late 1800s.

The story immediately brings Audrey into a fractious pairing with her uncle’s young assistant, Thomas Cresswell. The two engage in predictable rounds of “I’m smarter than you are” banter, while Audrey’s older brother, Nathaniel, taunts her for being a girl out of her place. Horrific murders of prostitutes whose identities point to associations with the Wadsworth estate prompt Audrey to start her own investigation, with Thomas as her sidekick. Audrey’s narration is both ponderous and polemical, as she sees her pursuit of her goals and this investigation as part of a crusade for women. She declares that the slain aren’t merely prostitutes but “daughters and wives and mothers,” but she’s also made it a point to deny any alignment with the profiled victims: “I am not going as a prostitute. I am simply blending in.” Audrey also expresses a narrow view of her desired gender role, asserting that “I was determined to be both pretty and fierce,” as if to say that physical beauty and liking “girly” things are integral to feminism. The graphic descriptions of mutilated women don’t do much to speed the pace.

Perhaps a more genuinely enlightened protagonist would have made this debut more engaging . (Historical thriller. 15-18)

Pub Date: Sept. 20, 2016

ISBN: 978-0-316-27349-7

Page Count: 336

Publisher: Jimmy Patterson/Little, Brown

Review Posted Online: May 31, 2016

Kirkus Reviews Issue: June 15, 2016

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A GOOD GIRL'S GUIDE TO MURDER

From the Good Girl's Guide to Murder series , Vol. 1

A treat for mystery readers who enjoy being kept in suspense.

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Everyone believes that Salil Singh killed his girlfriend, Andrea Bell, five years ago—except Pippa Fitz-Amobi.

Pip has known and liked Sal since childhood; he’d supported her when she was being bullied in middle school. For her senior capstone project, Pip researches the disappearance of former Fairview High student Andie, last seen on April 18, 2014, by her younger sister, Becca. The original investigation concluded with most of the evidence pointing to Sal, who was found dead in the woods, apparently by suicide. Andie’s body was never recovered, and Sal was assumed by most to be guilty of abduction and murder. Unable to ignore the gaps in the case, Pip sets out to prove Sal’s innocence, beginning with interviewing his younger brother, Ravi. With his help, Pip digs deeper, unveiling unsavory facts about Andie and the real reason Sal’s friends couldn’t provide him with an alibi. But someone is watching, and Pip may be in more danger than she realizes. Pip’s sleuthing is both impressive and accessible. Online articles about the case and interview transcripts are provided throughout, and Pip’s capstone logs offer insights into her thought processes as new evidence and suspects arise. Jackson’s debut is well-executed and surprises readers with a connective web of interesting characters and motives. Pip and Andie are white, and Sal is of Indian descent.

A treat for mystery readers who enjoy being kept in suspense. (Mystery. 14-18)

Pub Date: Feb. 4, 2020

ISBN: 978-1-9848-9636-0

Page Count: 400

Publisher: Delacorte

Review Posted Online: Oct. 27, 2019

Kirkus Reviews Issue: Dec. 1, 2019

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