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AFTER

A profoundly moving read that will stay with thriller aficionados long after they finish the novel.

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Ashby’s latest is a page-turning supernatural thriller that explores humankind’s oldest question: “Is there life after death?”

Afflicted with terminal cancer, billionaire Mark Long has been told he has mere months to live. Fixated on what comes after (if anything), he anonymously offers a $5 billion prize to anyone who can prove to Long’s satisfaction that there is some kind of life after death. Requiring applicants to first deposit a $25,000 bond in a trust account, the contest is quickly whittled down to three finalists. Professor Megan Finlay, chair of the Holmes Parapsychology Institute at the University of Edinburgh, is close to a breakthrough. She specializes in near-death experiences—what she calls “transcendence of spatio-temporal boundaries”—and winning Long’s multibillion-dollar prize is a necessity. The funding for the financially troubled institute ends in a matter of months. If the institute closes, Finlay’s entire life’s work will be all but forgotten. Another finalist is Aidan McKnight, former Navy SEAL and head of Acheron Capital Partners, who is addicted to challenges. When he hears about Long’s contest, his assistants find Hundra Benteen, a Montana-based “sensitive” (don’t call her a medium) who—in an industry filled with scammers, frauds, and charlatans—just may be the real thing. When McKnight meets Benteen, she turns his world upside down by knowing intimate information about his father, a SEAL who disappeared and was believed to have been killed during a botched 1983 mission in Grenada. Can Benteen communicate with the spirit of McKnight’s father and pass along any critical information? The last finalist, the Swiss National Institute for Paranormal Studies, doesn’t exist and is a front for Maxim Azimov, the world’s most notorious cybercriminal and mastermind of AI Deepfake technology. As Long’s battle with cancer draws to its inevitable end, Azimov plots to permanently eliminate each of his competitors.

Many narrative elements are worthy of note here. The character dynamism is exceptional. Even secondary characters, like Finlay’s assistant, Dougal Brown, are meticulously portrayed, three-dimensional, and emotionally compelling. The multiple storylines—which largely follow the three competitors and their respective quests—are continually intertwining, which keeps the momentum brisk. Additionally, bombshell plot twists will rivet readers until the very last page. The supernatural element gives the novel its fitting dark atmospherics: “It sprang, a crushing weight that crumpled the chair under him, driving the remaining breath from his lungs. As he looked into the fiery eyes and the glinting canine fangs, he knew it was the end. He tried to recite a prayer but volition had been sucked out of him. Strangely, as he plunged into unconsciousness, it seemed as if the creature was somehow melding with him, body to body, soul to soul.” But it’s the deep, esoteric examination of life after death from multiple perspectives—reincarnation, karmic retribution, tormented spirits seeking peace, reconnecting with loved ones who have passed, etc.—that make this such a memorable thriller.

A profoundly moving read that will stay with thriller aficionados long after they finish the novel.

Pub Date: N/A

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Page Count: -

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Review Posted Online: Sept. 3, 2024

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NOW OR NEVER

As usual, Evanovich handles the funny stuff better (much better) than the mystery stuff.

Stephanie Plum’s 31st adventure shows that Trenton’s preeminent fugitive-apprehension agent still has plenty of tricks up her sleeve, and needs every one of them.

The current caseload for Stephanie and Lula—the ex-prostitute file clerk at her cousin Vincent Plum’s bail bonds company, who serves as her unflappable sidekick—begins with two “failures to appear.” Eugene Fleck is suspected of being Robin Hoodie, who robs from the rich and, yes, distributes the proceeds to the poor. Racketeer Bruno Jug, who’s missed his court date on charges of tax evasion, is also suspected of drugging and raping a 14-year-old. But neither of these fugitives can hold a candle to Zoran Djordjevic, aka Fang, a self-proclaimed vampire wanted in connection with the gruesome fate of his late wife and three other missing women. As usual, Stephanie’s personal life is just as helter-skelter as her professional life as a bounty hunter. She’s managed to get herself engaged both to Det. Joe Morelli, of the Trenton PD, and Ranger, a former Special Forces agent who runs a private security firm; she thinks she may be pregnant; and she’s willing to marry the father, whichever of her fiances that turns out to be. On top of it all, her nothingburger schoolmate Herbert Slovinski suddenly pops up at one of the funerals she ferries her Grandma Mazur to, hitting on her relentlessly and gilding his importunities by cleaning and painting her shabby apartment and laying new carpet. Luckily, Lula’s on hand to offer cupcakes that stave off the worst disasters, and whenever this hodgepodge threatens to slow down, another FTA appears, or fails to appear.

As usual, Evanovich handles the funny stuff better (much better) than the mystery stuff.

Pub Date: Nov. 5, 2024

ISBN: 9781668003138

Page Count: 320

Publisher: Atria

Review Posted Online: Oct. 26, 2024

Kirkus Reviews Issue: Dec. 1, 2024

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THE SILENT PATIENT

Amateurish, with a twist savvy readers will see coming from a mile away.

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A woman accused of shooting her husband six times in the face refuses to speak.

"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.

Amateurish, with a twist savvy readers will see coming from a mile away.

Pub Date: Feb. 5, 2019

ISBN: 978-1-250-30169-7

Page Count: 304

Publisher: Celadon Books

Review Posted Online: Nov. 3, 2018

Kirkus Reviews Issue: Nov. 15, 2018

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