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LASSO THE WIND

AWAY TO THE NEW WEST

A sometimes arch, sometimes curmudgeonly, but always revealing tour of the modern Mountain West. That place, as New York Times Pacific Northwest correspondent Egan (Breaking Blue, 1992) delights in showing, trades on the myths of its past. Although the West celebrates stalwart do-gooders, lone heroes, and desperadoes in places like Deadwood and Tombstone, in fact it is and has always been highly corporatized, with a curious boss-driven politics that persists well into the present. The actor Bruce Willis found this out for himself, Egan writes, when, after buying up much of the little Idaho town of Hailey, he decided to launch a ballot initiative against nuclear-waste dumping in the vicinity. —In the election,— Egan writes with evident glee, —he was outgunned by fellow Republicans who favor a nuclear presence. He could have learned something from the Copper Kings: they never lost unless it was planned.— Similar clashes between old sensibilities and modern mores fuel much of Egan’s narrative. He writes of a New Mexico man who, —hiding in the woods of custom and culture,— has exploited local anti-government sentiment to defy US Forest Service restrictions on cattle grazing in wilderness areas; of a Colorado entrepreneur who believes the future of Western agriculture lies in ostrich ranching; of the present Interior secretary, Bruce Babbitt, who has ’somewhat meekly— been working to undo environmental damage wrought over the last century; and of out-of-the-way places and people caught up in the rapidly changing region. Throughout, Egan writes with grim humor and thinly disguised anger, the justifiable rage of a native son fed up with the seemingly endless development and destruction now being visited on the West in the name of progress. Solid reporting and storytelling make this a book of value to anyone interested in what is happening west of the Mississippi.

Pub Date: Sept. 1, 1998

ISBN: 0-375-40024-9

Page Count: 288

Publisher: Knopf

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 15, 1998

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KILLERS OF THE FLOWER MOON

THE OSAGE MURDERS AND THE BIRTH OF THE FBI

Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.

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Greed, depravity, and serial murder in 1920s Oklahoma.

During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorker staff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.

Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.

Pub Date: April 18, 2017

ISBN: 978-0-385-53424-6

Page Count: 352

Publisher: Doubleday

Review Posted Online: Feb. 1, 2017

Kirkus Reviews Issue: Feb. 15, 2017

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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