ROCK OF AGES

Junior Bender, who “steal[s] from the rich and sell[s] to the richer,” falls into a rabbit hole full of aging rock-and-roll bands.

Irwin Dressler is unhappy. Rock of Ages, the ancient foursome to whom he loaned $250,000 to finance a nostalgia tour, hasn’t returned a penny, and there are rumors that they’ve lost a more substantial amount of money than he ever would’ve expected them to take in. Most creditors would have to suffer this mistreatment in silence, but since Dressler’s still the preeminent gang leader in Los Angeles despite his constant fears that he’ll lose face and everything else, he gets Junior to look into the matter for him. That’s why Junior’s on hand when drummer Boomboom Black ends his performance at Wilshire’s Lafayette Theater with the band Rat Bite by getting into a fight with the lead guitarist, who conks him with his instrument, and then getting a much more consequential conk from a falling stage flat that ends both his set and his life. It’s kind of awkward for Junior, who’s not only there on what he assumes is unrelated business, but is accompanied by Rina, his teenage daughter, whose mother has entrusted her to her ex while she’s out of town. The best parts of this blast from the past involve the relations among Rina, Junior as the world’s worst babysitter, and Lavender, an aging groupie to whom Rina takes a shine. Other characters from the Razorettes, Lionel and the Pussycats, and Rock of Ages dissolve under a haze of bright lights that overshadow the forgettable mystery and cast readers as semistoned groupies themselves.

The ideal audience for this shaggy trip down Memory Lane: die-hard fans who wish rock could go on forever.