An original, impressively researched, and intriguing urban history—winner of the Allan Nevins Prize of the Society of American Historians—that explores the intersection of sex and the market in the Big Apple of the 19th century. Making extensive use of demographic analysis, land records, and newspaper accounts of the era, Gilfoyle (History/Loyola Univ.) demonstrates how N.Y.C., considered free of vice in the infant days of the republic, was rapidly transformed into a free-floating sexual emporium after the War of 1812. In a boom-and-bust economy fueled by immigrants and emerging industries, prostitution provided madams and hookers with a chance to become the best-paid female workers of the city, landlords with a lucrative and dependable source of income, and ``sporting males'' with an outlet for sexual activity outside marriage. It was a profession in remarkable flux: from early streetwalkers who occasionally solicited to supplement meager factory or domestic salaries, to a structured institution that advertised in guidebooks and business cards and that was visible all over the city in brothels, masked balls, music halls, saloons, and even the ``third floor'' of theaters. Gilfoyle masterfully re-creates the culture that grew up around the profession: the ``whorearchy'' of pimps, madams, and brothel owners (including such illustrious names as Livingston, Fish, and Hearst); Tammany ward bosses and cops on the take who skimmed off brothel profits; and stripteasing ``model artists,'' abortionists, distributors of contraceptives, and pornographers. Ultimately, the institution was driven underground in the Progressive Era less by the muckrakers, civic reformers, social hygienists, and anti-vice crusaders who fought it than by urban redevelopment, changing attitudes toward marriage, and better salaries for women. A revealing peek at a Gotham that exceeded our own in anything-goes sexual license and urban misery. (B&w photographs— not seen.)
Pub Date: Sept. 7, 1992
ISBN: 0-393-02800-3
Page Count: 448
Publisher: Norton
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 1992
BOOK REVIEW
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...
Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").Pub Date: May 15, 1972
ISBN: 0205632645
Page Count: 105
Publisher: Macmillan
Review Posted Online: Oct. 28, 2011
Kirkus Reviews Issue: May 1, 1972
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
BOOK REVIEW
BOOK REVIEW
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