Though it lacks the brevity of Aesop, this lightly Christmas-y twist has some charm
Fox plays all summer long and doesn’t take care to prepare for winter.
In green and golden double-page spreads, Fox gambols and loafs while his friends busy themselves preparing for winter and offering to help him do the same. When they tell him they will be snug in their dens all winter long, he replies, “I will play in the snow and sing to the wind and have the whole forest to myself!” Naturally, once winter does come, Fox finds himself bitterly regretting his imprudent ways. Thinking to himself, “Oh, I wish I’d listened to my friends,” Fox looks for a star to wish on and is bonked on the head by a falling box wrapped in bright paper. (In the distance, a dim silhouette of a flying sleigh and reindeer can be espied, the only hint of Santa’s presence in the book.) Fox opens the box and finds various foodstuffs and smaller wrapped boxes, which he distributes among his friends. After a feast, they counsel him to store the leftovers to get him through the rest of the winter. Each soft-focus illustration is embellished with silver foil for maximum sparkle, highlighting birchbark, dead grasses, and snowdrifts. All the animals are so fuzzy and nonthreatening it’s easy to imagine this Fox playing with instead of eating his squirrel and rabbit friends.
Though it lacks the brevity of Aesop, this lightly Christmas-y twist has some charm . (Picture book. 4-7)Pub Date: Oct. 10, 2017
ISBN: 978-0-7636-9631-3
Page Count: 28
Publisher: Nosy Crow
Review Posted Online: Aug. 20, 2017
Kirkus Reviews Issue: Sept. 1, 2017
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
As ephemeral as a valentine.
Daywalt and Jeffers’ wandering crayons explore love.
Each double-page spread offers readers a vision of one of the anthropomorphic crayons on the left along with the statement “Love is [color].” The word love is represented by a small heart in the appropriate color. Opposite, childlike crayon drawings explain how that color represents love. So, readers learn, “love is green. / Because love is helpful.” The accompanying crayon drawing depicts two alligators, one holding a recycling bin and the other tossing a plastic cup into it, offering readers two ways of understanding green. Some statements are thought-provoking: “Love is white. / Because sometimes love is hard to see,” reaches beyond the immediate image of a cat’s yellow eyes, pink nose, and black mouth and whiskers, its white face and body indistinguishable from the paper it’s drawn on, to prompt real questions. “Love is brown. / Because sometimes love stinks,” on the other hand, depicted by a brown bear standing next to a brown, squiggly turd, may provoke giggles but is fundamentally a cheap laugh. Some of the color assignments have a distinctly arbitrary feel: Why is purple associated with the imagination and pink with silliness? Fans of The Day the Crayons Quit (2013) hoping for more clever, metaliterary fun will be disappointed by this rather syrupy read.
As ephemeral as a valentine. (Picture book. 4-6)Pub Date: Dec. 24, 2019
ISBN: 978-1-5247-9268-8
Page Count: 32
Publisher: Penguin Workshop
Review Posted Online: Feb. 1, 2021
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...
Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.
The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)Pub Date: June 21, 2016
ISBN: 978-0-06-234834-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
BOOK REVIEW
BOOK REVIEW
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