Excels in narrative quality, creativity and variety.
Four stories and a poem encompass themes ranging from metaphysical healing to the Holocaust.
Debut writer Patrick opens with a one-page verse voiced by a man who has forgotten how to be grateful, asking himself “is it merely human essence or just a spoiled brat that makes me this way?” Four stories follow, the shortest of which–“The Final Tip”–is a clever tale narrated by an unnamed inanimate object who, after subsisting through a dark life of horrific abuse, torture and neglect, finally finds a home on a young waitress’ dresser. Humanitarian Andrea discovers she has miraculous healing powers in “Laryngitis”–simply by reading aloud the favorite books of those who are in dire health, she brings about their swift rejuvenescence. A series of accidents cripples her abilities as the increasing demand for her assistance overwhelms her and she realizes that “there’s something bigger running our universe.” The first of Patrick’s heavily populated, novella-length entries, “Baker’s Dozen,” follows a female psychotherapist who finds her hands full with a melting pot of twelve excessively needy patients. Among them are a compulsive gambler, a junk-food junkie, an overeater, a shoplifter, a sex addict, a female narcissist, an OCD victim and a clean freak–each in a state of mental and emotional disarray. The group unites for a four-week “revival camp” in the Adirondack Mountains where the interactive melodrama has surprisingly effective results. Two homosexual German guards who fall in love during Hitler’s 1941 reign in the touching tale “Nothing Much to Write Home About”–they’re among the many desperately attempting to flee Nazi Germany for an unfettered future. Textured with authentic emotion and nail-biting suspense, Patrick saved this most impressive and complicated work for last. Considering this is the author’s debut, he already appears pleasingly accomplished.
Excels in narrative quality, creativity and variety.Pub Date: Feb. 4, 2009
ISBN: 978-1-4392-0922-6
Page Count: -
Publisher: N/A
Review Posted Online: May 23, 2010
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
It's being called a novel, but it is more a hybrid: short-stories/essays/confessions about the Vietnam War—the subject that O'Brien reasonably comes back to with every book. Some of these stories/memoirs are very good in their starkness and factualness: the title piece, about what a foot soldier actually has on him (weights included) at any given time, lends a palpability that makes the emotional freight (fear, horror, guilt) correspond superbly. Maybe the most moving piece here is "On The Rainy River," about a draftee's ambivalence about going, and how he decided to go: "I would go to war—I would kill and maybe die—because I was embarrassed not to." But so much else is so structurally coy that real effects are muted and disadvantaged: O'Brien is writing a book more about earnestness than about war, and the peekaboos of this isn't really me but of course it truly is serve no true purpose. They make this an annoyingly arty book, hiding more than not behind Hemingwayesque time-signatures and puerile repetitions about war (and memory and everything else, for that matter) being hell and heaven both. A disappointment.
Pub Date: March 28, 1990
ISBN: 0618706410
Page Count: 256
Publisher: Houghton Mifflin
Review Posted Online: Oct. 2, 2011
Kirkus Reviews Issue: Feb. 15, 1990
SEEN & HEARD
IN THE NEWS
SEEN & HEARD
A newcomer to watch: fresh, funny, and tough.
Seven stories, including a couple of prizewinners, from an exuberantly talented young Thai-American writer.
In the poignant title story, a young man accompanies his mother to Kok Lukmak, the last in the chain of Andaman Islands—where the two can behave like “farangs,” or foreigners, for once. It’s his last summer before college, her last before losing her eyesight. As he adjusts to his unsentimental mother’s acceptance of her fate, they make tentative steps toward the future. “Farangs,” included in Best New American Voices 2005 (p. 711), is about a flirtation between a Thai teenager who keeps a pet pig named Clint Eastwood and an American girl who wanders around in a bikini. His mother, who runs a motel after having been deserted by the boy’s American father, warns him about “bonking” one of the guests. “Draft Day” concerns a relieved but guilty young man whose father has bribed him out of the draft, and in “Don’t Let Me Die in This Place,” a bitter grandfather has moved from the States to Bangkok to live with his son, his Thai daughter-in-law, and two grandchildren. The grandfather’s grudging adjustment to the move and to his loss of autonomy (from a stroke) is accelerated by a visit to a carnival, where he urges the whole family into a game of bumper cars. The longest story, “Cockfighter,” is an astonishing coming-of-ager about feisty Ladda, 15, who watches as her father, once the best cockfighter in town, loses his status, money, and dignity to Little Jui, 16, a meth addict whose father is the local crime boss. Even Ladda is in danger, as Little Jui’s bodyguards try to abduct her. Her mother tells Ladda a family secret about her father’s failure of courage in fighting Big Jui to save his own sister’s honor. By the time Little Jui has had her father beaten and his ear cut off, Ladda has begun to realize how she must fend for herself.
A newcomer to watch: fresh, funny, and tough.Pub Date: Jan. 1, 2005
ISBN: 0-8021-1788-0
Page Count: 224
Publisher: Grove
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 15, 2004
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