While the political intrigue is lacking, the narrative propels at an appealing pace.
In Johnston’s SF novel, one in a series, an aquatic separatist is targeted for revenge.
In the year is 2131, due mostly to environmental factors, much of the human population now lives in colonies on the ocean floor. Truman McClusky is the mayor of one such colony, called Trieste City. He and the leaders of 14 other colonies declare independence from any of the surface countries like the United States or China. This collection of 15 declares itself a nation called Oceania. McClusky and the others know this act will spark conflict, and they have made preparations. A Russian captain named Ivan Arkady Ventinov has it out for McClusky: after the loss of a mighty Russian sub known as the Drakon in an earlier book in this series, Ventinov is hungry for revenge. He hires a mysterious assassin known as the Steel Shiv; no one knows who the Steel Shiv is, though McClusky gets clued in that this “master of disguise” is after him. McClusky and his close associates respond to trouble with action that ranges from close range combat to torpedo-fueled attacks. The result is a thriller that keeps moving from confrontation to confrontation. Technological details, such as an explanation on the importance and history of graphene, emerge from the story to help make this world seem possible. Though such worldbuilding (the book includes occasional schematics of vessels and structures) is welcome, some of the political aspects of the narrative can prove lackluster; McClusky’s independence speech does not make for particularly inspiring oratory with statements like “We have the fastest armed seacars in the oceans.” Still, with constant danger and the vast depths of the ocean as a setting, there is always reason to keep reading.
While the political intrigue is lacking, the narrative propels at an appealing pace.Pub Date: Dec. 15, 2023
ISBN: 978-1554556281
Page Count: 511
Publisher: Fitzhenry & Whiteside
Review Posted Online: Feb. 14, 2024
Review Program: Kirkus Indie
BOOK REVIEW
Suspenseful, frightening, and sometimes poignant—provided the reader has a generously willing suspension of disbelief.
A man walks out of a bar and his life becomes a kaleidoscope of altered states in this science-fiction thriller.
Crouch opens on a family in a warm, resonant domestic moment with three well-developed characters. At home in Chicago’s Logan Square, Jason Dessen dices an onion while his wife, Daniela, sips wine and chats on the phone. Their son, Charlie, an appealing 15-year-old, sketches on a pad. Still, an undertone of regret hovers over the couple, a preoccupation with roads not taken, a theme the book will literally explore, in multifarious ways. To start, both Jason and Daniela abandoned careers that might have soared, Jason as a physicist, Daniela as an artist. When Charlie was born, he suffered a major illness. Jason was forced to abandon promising research to teach undergraduates at a small college. Daniela turned from having gallery shows to teaching private art lessons to middle school students. On this bracing October evening, Jason visits a local bar to pay homage to Ryan Holder, a former college roommate who just received a major award for his work in neuroscience, an honor that rankles Jason, who, Ryan says, gave up on his career. Smarting from the comment, Jason suffers “a sucker punch” as he heads home that leaves him “standing on the precipice.” From behind Jason, a man with a “ghost white” face, “red, pursed lips," and "horrifying eyes” points a gun at Jason and forces him to drive an SUV, following preset navigational directions. At their destination, the abductor forces Jason to strip naked, beats him, then leads him into a vast, abandoned power plant. Here, Jason meets men and women who insist they want to help him. Attempting to escape, Jason opens a door that leads him into a series of dark, strange, yet eerily familiar encounters that sometimes strain credibility, especially in the tale's final moments.
Suspenseful, frightening, and sometimes poignant—provided the reader has a generously willing suspension of disbelief.Pub Date: July 26, 2016
ISBN: 978-1-101-90422-0
Page Count: 352
Publisher: Crown
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: May 15, 2016
PROFILES
BOOK TO SCREEN
BOOK TO SCREEN
A well-written if elusive treat for fans of modern mythologizing.
In which the Angel of Death really wants to take a holiday.
“Memory is a labyrinth.” Or perhaps a matrix. Actor Reeves teams up with speculative fictionist Miéville to produce a tale that definitely falls into the latter’s “weird fiction” subgenre. The chief protagonist is the demi-divine Unute, known as B. He’s not nice: “That man does not kill children anymore, when he can avoid doing so, but still, leave him alone,” warns one of the narrators, whose threads of story are distinguished by different typefaces. B is a killer—early on, he explains to a psychiatrist, “I kill and kill and kill again,” adding that he’d really rather be doing something else. B is also curious about the way things work, which leads him to experiment on unfortunate deer-pigs, the babirusa of Indonesia, to try to suss out what allows him to die but then come back to life, learning that he’s not so much immortal as “infinitely mortal.” B, as one might imagine, isn’t the life of the party—and the reader will be forgiven for being a little grossed out by his experiments, which are infinitely grisly (“A gush of cream- and rust-colored slime sopped out and across the gurney and onto the floor to mix with soapy water”). The structure of the story is both metaphorical (albeit B professes little patience with metaphor), with Unute morphing into Death itself, and rather loose, the plot picking up hints dropped earlier. It’s not always easy to follow, but it’s clear that Reeves and Miéville are having fun with the tale and its often playful, even poetic language (“the huff-huff of horny hard feet on the scuffed corporate carpet, a stepping closer, an incoming, a meeting about to be”).
A well-written if elusive treat for fans of modern mythologizing.Pub Date: July 23, 2024
ISBN: 9780593446591
Page Count: 352
Publisher: Del Rey
Review Posted Online: May 17, 2024
Kirkus Reviews Issue: June 15, 2024
SEEN & HEARD
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