A discordantly frothy vision of Paris’ darkest chapter.
Nightlife goes on in Schaffert’s ornate tableau of Nazi-occupied Paris.
Schaffert’s narrator, Clementine, is presumably in her 70s, though she’s not talking. A Nebraska native, Clem is self-described as queer and has long preferred the persona of a dapper dandy. Settling in Paris after a long history of thievery in the United States, and one monumental and disappointing love affair with another person known only as M, she dares not return to the U.S., where too many warrants await. In France, she exploits her other signature talent, perfumery. Her chief competitor, Pascal, has disappeared, which is no surprise since Paris has been seized by the Nazis and Pascal is Jewish. Pascal’s Left Bank hôtel particulier now bivouacs aging Nazi kingpin Voss, who, as a member of the old guard, clings desperately to his rank. Zoé, Pascal’s daughter, sings torch songs incognito in a cabaret attached to a bordello. Lush description of scents and extravagant lists of everything from butterflies to poisons underscore Clem’s prodigious powers of observation, but the novel’s beautifully rendered atmosphere is no substitute for suspense and conflict. The aesthete Voss and the loutish but lovelorn Lutz, whose unwilling mistress Zoé becomes, are not particularly menacing though they're Nazis, and the terrors of the Occupation—the dispossession and removal of the city’s Jews, the hunger, the cruelty of the occupiers and the co-optation of the occupied—are mostly offstage. There are nods to the Resistance—but even here, misplaced whimsy obtains: for example, tobacco-scavenging nuns branch out into helping prostitutes flee south, disguised in habits. In what passes for an overarching plotline, Voss and Clem form an uneasy alliance to ferret out Pascal’s hidden perfumer’s diary as part of a double-cross which begins as fanciful and ends as anticlimactic. For most of the novel, Clem, her young protégé Blue, and her friend Day, also a chanteuse, seem to be enjoying themselves far too much for the setting.
A discordantly frothy vision of Paris’ darkest chapter.Pub Date: Aug. 3, 2021
ISBN: 978-0-385-54574-7
Page Count: 368
Publisher: Doubleday
Review Posted Online: May 18, 2021
Kirkus Reviews Issue: June 1, 2021
BOOK REVIEW
BOOK REVIEW
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
Uneven but fitfully amusing.
Betrayed by her husband, a severely depressed young woman gets drawn into the over-the-top festivities at a lavish wedding.
Phoebe Stone, who teaches English literature at a St. Louis college, is plotting her own demise. Her husband, Matt, has left her for another woman, and Phoebe is taking it hard. Indeed, she's determined just where and how she will end it all: at an oceanfront hotel in Newport, where she will lie on a king-sized canopy bed and take a bottle of her cat’s painkillers. At the hotel, Phoebe meets bride-to-be Lila, a headstrong rich girl presiding over her own extravagant six-day wedding celebration. Lila thought she had booked every room in the hotel, and learning of Phoebe's suicidal intentions, she forbids this stray guest from disrupting the nuptials: “No. You definitely can’t kill yourself. This is my wedding week.” After the punchy opening, a grim flashback to the meltdown of Phoebe's marriage temporarily darkens the mood, but things pick up when spoiled Lila interrupts Phoebe's preparations and sweeps her up in the wedding juggernaut. The slide from earnest drama to broad farce is somewhat jarring, but from this point on, Espach crafts an enjoyable—if overstuffed—comedy of manners. When the original maid of honor drops out, Phoebe is persuaded, against her better judgment, to take her place. There’s some fun to be had here: The wedding party—including groom-to-be Gary, a widower, and his 11-year-old daughter—takes surfing lessons; the women in the group have a session with a Sex Woman. But it all goes on too long, and the humor can seem forced, reaching a low point when someone has sex with the vintage wedding car (you don’t want to know the details). Later, when two characters have a meet-cute in a hot tub, readers will guess exactly how the marriage plot resolves.
Uneven but fitfully amusing.Pub Date: July 30, 2024
ISBN: 9781250899576
Page Count: 384
Publisher: Henry Holt
Review Posted Online: Sept. 13, 2024
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
