A coming-of-age story for readers who appreciate a strong sense of place.
1982 is a year of change for 13-year-old New Yorker Alma Rosen.
Her parents seem destined for divorce, and her friend group is changing. Her body and mind are changing too; she gets her period and her first kiss. Alma’s also starting to notice the inequitable treatment of women in her community and in literature. By leaning into her love of music and creating her own brand of resilience, she learns that while change is constant, she can decide how she responds to it. Unpunctuated poems in a stream-of-consciousness style make up the bulk of this verse novel. Some poems start with a word and its definition, some with song lyrics, and others take the form of lists or letters. Books, movies, music, and TV shows, as well as historical details of the time period and Greek mythology, are common touch points. It can be challenging to grasp all of these threads while also following the narrative arc. However, the poems that focus on a small moment or idea stand out for their captivating emotional complexity. Alma identifies as half Chinese and half White; her life is influenced by her Jewish paternal grandmother and her Chinese maternal grandparents. Although the backgrounds of Alma’s latchkey kid friend group are described with specific racial and cultural markers, socio-economic situations, and family dynamics, at times their voices lack distinction.
A coming-of-age story for readers who appreciate a strong sense of place. (Verse novel. 12-14)Pub Date: Sept. 14, 2021
ISBN: 978-0-593-12114-6
Page Count: 336
Publisher: Make Me a World
Review Posted Online: June 23, 2021
Kirkus Reviews Issue: July 15, 2021
BOOK REVIEW
Stands out neither as a folk-tale retelling, a coming-of-age story, nor a Holocaust novel.
A Holocaust tale with a thin “Hansel and Gretel” veneer from the author of The Devil’s Arithmetic (1988).
Chaim and Gittel, 14-year-old twins, live with their parents in the Lodz ghetto, forced from their comfortable country home by the Nazis. The siblings are close, sharing a sign-based twin language; Chaim stutters and communicates primarily with his sister. Though slowly starving, they make the best of things with their beloved parents, although it’s more difficult once they must share their tiny flat with an unpleasant interfaith couple and their Mischling (half-Jewish) children. When the family hears of their impending “wedding invitation”—the ghetto idiom for a forthcoming order for transport—they plan a dangerous escape. Their journey is difficult, and one by one, the adults vanish. Ultimately the children end up in a fictional child labor camp, making ammunition for the German war effort. Their story effectively evokes the dehumanizing nature of unremitting silence. Nevertheless, the dense, distancing narrative (told in a third-person contemporaneous narration focused through Chaim with interspersed snippets from Gittel’s several-decades-later perspective) has several consistency problems, mostly regarding the relative religiosity of this nominally secular family. One theme seems to be frustration with those who didn’t fight back against overwhelming odds, which makes for a confusing judgment on the suffering child protagonists.
Stands out neither as a folk-tale retelling, a coming-of-age story, nor a Holocaust novel. (author’s note) (Historical fiction. 12-14)Pub Date: March 6, 2018
ISBN: 978-0-399-25778-0
Page Count: 432
Publisher: Philomel
Review Posted Online: Dec. 20, 2017
Kirkus Reviews Issue: Jan. 15, 2018
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Evocations of Narnia are not enough to salvage this fantasy, which struggles with thin character development.
A portal fantasy survivor story from an established devotional writer.
Fourteen-year-old Eva’s maternal grandmother lives on a grand estate in England; Eva and her academic parents live in New Haven, Connecticut. When she and Mum finally visit Carrick Hall, Eva is alternately resentful at what she’s missed and overjoyed to connect with sometimes aloof Grandmother. Alongside questions of Eva’s family history, the summer is permeated by a greater mystery surrounding the work of fictional children’s fantasy writer A.H.W. Clifton, who wrote a Narnialike series that Eva adores. As it happens, Grandmother was one of several children who entered and ruled Ternival, the world of Clifton’s books; the others perished in 1952, and Grandmother hasn’t recovered. The Narnia influences are strong—Eva’s grandmother is the Susan figure who’s repudiated both magic and God—and the ensuing trauma has created rifts that echo through her relationships with her daughter and granddaughter. An early narrative implication that Eva will visit Ternival to set things right barely materializes in this series opener; meanwhile, the religious parable overwhelms the magic elements as the story winds on. The serviceable plot is weakened by shallow characterization. Little backstory appears other than that which immediately concerns the plot, and Eva tends to respond emotionally as the story requires—resentful when her seething silence is required, immediately trusting toward characters readers need to trust. Major characters are cued white.
Evocations of Narnia are not enough to salvage this fantasy, which struggles with thin character development. (author’s note, map, author Q&A) (Religious fantasy. 12-14)Pub Date: Jan. 30, 2024
ISBN: 9780593194454
Page Count: 384
Publisher: WaterBrook
Review Posted Online: Oct. 21, 2023
Kirkus Reviews Issue: Nov. 15, 2023
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