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OSCAR AND THE AMAZING GRAVITY REPELLENT

Although Oscar successfully resolves his bully problem and his clumsiness, the draw here is the magic, not the somewhat...

Chronically clumsy Oscar presents an easy target for bullies—until he discovers a magical anti-gravity solution.

After curiously following a raccoon over a hill, Oscar stumbles upon an overgrown, abandoned caboose that was evidently once the traveling headquarters of an old-time–y huckster named Dr. Oopsie. Inside he find bottles of a solution that, when applied, counteracts gravity—but only until it dries. This gives him and his best friend, Asha, the opportunity to do amazing things: spinning through the air, easily climbing tall trees, and, best of all, flying around clinging to the blades of a ceiling fan. But the anti-gravity solution can be dangerous, too, since it wears off abruptly. After Oscar and Asha discover local bullies vandalizing the caboose, Oscar angrily drenches the lead bully with anti-gravity solution then allows him to float away, leaving Asha and a guilty-feeling Oscar to explore (and didactically explain) the difference between bullies and “not-mean” kids. Bonet’s cartoonlike cover art and a pair of interior illustrations effectively play up a forbidding setting for the caboose. In spite of ceiling-fan fun, Peterson never fully limns the enchanting potential of anti-gravity applications. The conclusion hints at a sequel, which readers will hope comes with a more substantial dose of magic.

Although Oscar successfully resolves his bully problem and his clumsiness, the draw here is the magic, not the somewhat bromidic bibliotherapy. (Fantasy. 8-11)

Pub Date: Sept. 1, 2015

ISBN: 978-1-62370-244-1

Page Count: 224

Publisher: Capstone Young Readers

Review Posted Online: June 28, 2015

Kirkus Reviews Issue: July 15, 2015

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THE FIRST CAT IN SPACE AND THE WRATH OF THE PAPERCLIP

From the First Cat in Space series , Vol. 3

File under “laugh riot.”

A rogue spell-check program’s bid to transform all life-forms into that eminently useful office item, the paper clip, touches off a fresh round of lunar lunacy.

Predicated on the entirely reasonable premise that eliminating all spelling and grammar errors everywhere would logically lead to the necessity of exterminating carbon-based life in the universe, this third series entry combines high stakes with daffy banter and daring exploits. CheckMate—a chipper, jumped-up editing program—has invented the Transmogratron, a giant laser that will fulfill its ultimate goals in both the cyber world and “meatspace.” Facing challenges as random as prankster lunar unicorns and a disarmingly motherly Motherboard, scowling First Cat joins a motley crew of diversely carbon- and silicon-based allies, led by the pearlescent Queen of the Moon. They’re in a race to the finish—diverted occasionally by, for instance, a relentlessly punny comic-book interlude featuring a pair of literal and figurative Pool Sharks. They ultimately triumph thanks to teamwork and moxie. Following a celebratory party and toasts to “new friends…and steadfast comrades” (and, of course, “MEOW”), the story’s energetic, brightly colored panels close with a reveal of the next volume. (“I always hate it when comics end by announcing a sequel. SO CRINGE!” declares an authorial stand-in.) It can’t come too soon.

File under “laugh riot.” (Graphic science fiction. 8-11)

Pub Date: Nov. 5, 2024

ISBN: 9780063315280

Page Count: 272

Publisher: HarperAlley

Review Posted Online: Sept. 14, 2024

Kirkus Reviews Issue: Oct. 15, 2024

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ESCAPE FROM BAXTERS' BARN

Ironically, by choosing such a dramatic catalyst, the author weakens the adventure’s impact overall and leaves readers to...

A group of talking farm animals catches wind of the farm owner’s intention to burn the barn (with them in it) for insurance money and hatches a plan to flee.

Bond begins briskly—within the first 10 pages, barn cat Burdock has overheard Dewey Baxter’s nefarious plan, and by Page 17, all of the farm animals have been introduced and Burdock is sharing the terrifying news. Grady, Dewey’s (ever-so-slightly) more principled brother, refuses to go along, but instead of standing his ground, he simply disappears. This leaves the animals to fend for themselves. They do so by relying on their individual strengths and one another. Their talents and personalities match their species, bringing an element of realism to balance the fantasy elements. However, nothing can truly compensate for the bland horror of the premise. Not the growing sense of family among the animals, the serendipitous intervention of an unknown inhabitant of the barn, nor the convenient discovery of an alternate home. Meanwhile, Bond’s black-and-white drawings, justly compared to those of Garth Williams, amplify the sense of dissonance. Charming vignettes and single- and double-page illustrations create a pastoral world into which the threat of large-scale violence comes as a shock.

Ironically, by choosing such a dramatic catalyst, the author weakens the adventure’s impact overall and leaves readers to ponder the awkward coincidences that propel the plot. (Animal fantasy. 8-10)

Pub Date: July 7, 2015

ISBN: 978-0-544-33217-1

Page Count: 256

Publisher: HMH Books

Review Posted Online: March 31, 2015

Kirkus Reviews Issue: April 15, 2015

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