A scalding corrective to the romantic Western view of French Polynesia written with authority, urgency, and compassion.
Prizewinning Tahitian novelist Peu exposes the human toll of colonialism and poverty in this polar opposite of a picture postcard.
“Every story begins with a family story. Every family has its people bound by blood.” Nine-year-old Pina, living in a shack on the outskirts of Papeete, the eighth of nine children, has her mean, worn-out mother and Auguste, her violent, alcoholic father. When he falls into a coma after a drunken-driving accident, Pina goes to live with relatives in the countryside. But her relief from abuse is short-lived. Against all expectation, Auguste survives, now convinced he’s on a mission from God to cleanse his family and Tahiti itself of immorality. Told in symphonic chapters from varying points of view, the novel follows the family and community through violent events and political unrest, culminating in a rapid-fire series of shocking crimes. Peu paints a blunt, unsparing picture of island life: Young girls are drugged and assaulted at Epstein-esque orgies; gay men are beaten in homophobic hate crimes; poverty, alcoholism, and abuse are rampant. Pina’s sister Hannah fled to Paris yet can’t escape the legacy of colonialism: “Vaita, the first prophet, the visionary, had foretold: in one or two or three centuries the earth will be despoiled, the oceans emptied out, desecrated forever. And their children tormented and lost for having forgotten the very name of the moon that saw their birth.” Colonialism, one character says, “is limited to no era, to no age. It’s simply there. It’s simply, always been there. It’s changed a bit over time, but fundamentally it’s all the same. The soldiers are gone, replaced by Golden Boys straight out of France’s fanciest business school.” And the burden is borne by people like Pina, “a tender sacrifice on the altar of squalor.”
A scalding corrective to the romantic Western view of French Polynesia written with authority, urgency, and compassion.Pub Date: July 26, 2022
ISBN: 978-1-63206-155-3
Page Count: 320
Publisher: Restless Books
Review Posted Online: May 10, 2022
Kirkus Reviews Issue: June 1, 2022
A sweet bedtime story.
A boy and his stuffed bear head into the woods.
Having captured readers’ attention with Born a Crime (2016), his bestselling memoir of growing up in South Africa, comedian and television host Noah has written a parable about decision-making. As he puts it in a brief prologue, “It’s about disagreements and difference—but it’s also about how we bridge those gaps and find what matters most, whether we’re parents or kids, neighbors, gnomes, or political adversaries. It’s a picture book, but it’s not a children’s book. Rather, it is a book for kids to share with parents and for parents to share with kids.” With plentiful illustrations by Hahn and in language aimed at young listeners, it tells the story of a small boy so impatient to start his Saturday adventures that he rebels against the rules of his household and heads out without brushing his teeth or making his bed, despite the reminders of his stuffed bear, Walter. “We can’t just run away,” protests the bear. “Your mother will miss you. And where will we sleep? And who will make us waffles?” “We’ll build our own house,” the boy responds. “And we’ll grow our own waffles!” From there, the pair go on their walkabout, encountering a garden gnome, a pair of snails, and a gang of animated coins who have lessons to offer about making choices. Though the author suggests in the introduction that adult readers might enjoy the book on their own, those looking for a follow-up to the memoir or a foray into adult fiction should be warned that this is not that book.
A sweet bedtime story.Pub Date: Oct. 8, 2024
ISBN: 9780593729960
Page Count: 128
Publisher: One World/Random House
Review Posted Online: July 4, 2024
Kirkus Reviews Issue: Aug. 1, 2024
BOOK REVIEW
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
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