A valet helps his earl find a love match.
Christopher, Lord Eden, doesn’t mind at all that he has a reputation for eccentricity. He’s happy to live far away from London society on his estate, with just a cook and a butler who are more like family than staff. He had decided to live the rest of his life like this, in fact, until his lawyers notified him that he absolutely has to get married before his next birthday, or he’ll lose his inheritance. He’s anxious about this for several reasons, first and foremost because he is a “man of unusual make”—other people would see him as a woman, even though he most decidedly is not. For the sake of the estate, though, Christopher decides to do his best to find a match during the Season that’s already well underway, and, hoping to seem more typical while in town, he asks the lawyers to hire him a valet. When that valet, James Harding, arrives, it seems that the two men couldn’t be more different. Where Christopher prefers to eat breakfast in the kitchen with his staff, James doesn’t even allow himself to joke with his employer. For Christopher, it doesn’t help matters that James is “too perfectly formed to be alive.” As they relocate to London and sort their plans out for the Season, the gentleman and his gentleman start to settle into a tentative friendship, but even though both are working toward finding a match for Christopher, the more they learn about each other, the less either wants to focus on a wife. With Christopher and James’ story, Alexander’s first historical romance takes a daring leap into the Regency, providing a thoughtful, wholehearted exploration of trans life in another era. An agonizing slow burn tumbles into a quick climax, in more ways than one, the suddenness of which detracts from the tale; in addition, given how well-drawn Lord Eden is, it’s disappointing that the story never shares Harding’s point of view for balance. Alexander’s witty writing and excellent imagining of both the challenges and fierce joys of trans life in 1819 England are enthralling, though, and well worth the time of any historical romance fan.
A charming, compelling, and very queer Regency.