Awards & Accolades

Our Verdict

  • Our Verdict
  • GET IT

Next book

A LONG TIME DEAD

A JOE TURNER MYSTERY

An entertaining and exuberant suspense tale about murderous revenge in the literary world.

Awards & Accolades

Our Verdict

  • Our Verdict
  • GET IT

A reclusive writer who’s a fugitive fights for his innocence in this detective novel.

Bequette’s third installment of a mystery series is a departure from his typical fare featuring resilient police detective Joe Turner. While Turner pops up sporadically in this volume, it is 30-something American writer Owen Prescott, a Dartmouth graduate from a wealthy family, who steals the spotlight. For over a decade, Prescott has enjoyed a solitary, secluded life of anonymity in the English countryside, far from the woman-chasing, vibrant social life he once relished. Flashback chapters tell the story of a time when Turner was assisting Prescott, who wrote under the pseudonym Ancil Bradford, with Boston book signings in 2013, despite the menacing omnipresence of obsessed stalker Desiree Richins. Desiree’s behavior necessitated a restraining order. That problem became coupled with a lawsuit filed by former creative writing instructor Norvel Anendale against Prescott for plagiarism, claiming he’d co-authored the novelist’s prize-winning bestseller, Orchards of Grace. Neither of those nuisances was enough to spook Prescott from continuing to celebrate his literary success, but he landed in hot water anyway as the lead suspect in Anendale’s violent murder. Soon after, Prescott eluded prosecution by fleeing America for Europe and went into hiding. Fledgling FBI agent Alyssa Wagner revives the cold case (“A native of Boston, Alyssa recalled the Owen Prescott disappearance as a teenager and was immediately intrigued by the idea of bringing the fugitive to justice”). She becomes determined to garner positive attention in her new position with the aid of facial recognition technology. Meanwhile, Prescott has become antsy, yearning for the literary spotlight. He ventures out in public, where freelance journalist Margo Stark spots him and decides to insinuate herself into his life with the intention of writing a career-defining, exclusive feature. As Wagner narrows her search and surveillance, edging closer to apprehending Prescott, the tale is complemented by a generous Boston backstory, chronicling the author’s legal troubles a decade earlier, all running parallel to his present melodrama. The denouement, filled with hidden identities and startling events, is a shocker.  

With the amount of characters Bequette incorporates in his novel, the tale is slow to gain narrative momentum and only moves into high gear after all of his players and their assorted backstories are established. The author’s previous headliner, Turner, takes a backseat this time, serving as Prescott’s former literary agent, which may or may not appeal to fans of the series. Nevertheless, Bequette’s prose is reliably crisp and descriptive, and lots of intrigue and suspense are embedded in a thrillingly serpentine story with plenty of twists and turns as Prescott tries to worm his way out of complex litigation. Also captivating is the backstory of Prescott’s longstanding, difficult relationship with his father, particularly during a vividly portrayed duck hunting trip, where shame and trauma mark the writer’s memory of his childhood. In the present, his father attempts to preserve the family name after Prescott has been charged with Anendale’s murder based on DNA evidence at the scene. With its surfeit of subplots and characters, the book eventually coalesces into one big hunt for justice as Prescott attempts to evade his pursuers and a surprise psychotic killer emerges in an ending few readers will predict.

An entertaining and exuberant suspense tale about murderous revenge in the literary world.

Pub Date: N/A

ISBN: N/A

Page Count: -

Publisher: manuscript

Review Posted Online: May 12, 2023

Next book

THE ENDING WRITES ITSELF

High-concept and highly entertaining.

Fiction writers compete to finish a famous author’s abandoned novel.

Seven writers, all but one published, have received invitations to spend the weekend with crime novelist Arthur Fletch, the world’s most successful author, on his private island off the coast of Scotland. When they arrive at his cliffside castle, they expect to take part in one of the literary salons for which Fletch is famous; instead, they’re greeted by his agent, who informs them that Fletch is dead. Why has there been nothing about this in the press? Because “there are some…loose ends that must be tied up first.” Fletch has left his eagerly anticipated final novel unfinished, so the agent has summoned the writers to the island for a competition: One of them will get to complete Fletch’s book. As premises go, this one’s a humdinger, courtesy of fantasy writer V.E. Schwab and YA author Cat Clarke, here joining forces as Clarke. The story contains an amusing throughline about the indignity of being an uncelebrated novelist; as the agent tells the assembled writers, the contest winner will receive both cash and something equally valuable: “a way out of the midlist.” The novel’s wandering perspective allows each writer to vent their private frustrations, especially with the publishing industry and with the book world’s genre hierarchy (the YA writer among the competitors understands that she and the romance writer are “supposed to support each other against the general snobbishness of the other genres”). Readers who have come for the crimes and the twists, both of which are plentiful, might grow impatient with all the characters’ backstories, but these readers will likely warm to the shop talk, which at its funniest plays like a kvetchy midlist-writers’ support group.

High-concept and highly entertaining.

Pub Date: April 7, 2026

ISBN: 9780063444614

Page Count: 352

Publisher: Harper/HarperCollins

Review Posted Online: Jan. 19, 2026

Kirkus Reviews Issue: Feb. 15, 2026

Next book

A CONSPIRACY OF BONES

Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.

Another sweltering month in Charlotte, another boatload of mysteries past and present for overworked, overstressed forensic anthropologist Temperance Brennan.

A week after the night she chases but fails to catch a mysterious trespasser outside her town house, some unknown party texts Tempe four images of a corpse that looks as if it’s been chewed by wild hogs, because it has been. Showboat Medical Examiner Margot Heavner makes it clear that, breaking with her department’s earlier practice (The Bone Collection, 2016, etc.), she has no intention of calling in Tempe as a consultant and promptly identifies the faceless body herself as that of a young Asian man. Nettled by several errors in Heavner’s analysis, and even more by her willingness to share the gory details at a press conference, Tempe launches her own investigation, which is not so much off the books as against the books. Heavner isn’t exactly mollified when Tempe, aided by retired police detective Skinny Slidell and a host of experts, puts a name to the dead man. But the hints of other crimes Tempe’s identification uncovers, particularly crimes against children, spur her on to redouble her efforts despite the new M.E.’s splenetic outbursts. Before he died, it seems, Felix Vodyanov was linked to a passenger ferry that sank in 1994, an even earlier U.S. government project to research biological agents that could control human behavior, the hinky spiritual retreat Sparkling Waters, the dark web site DeepUnder, and the disappearances of at least four schoolchildren, two of whom have also turned up dead. And why on earth was Vodyanov carrying Tempe’s own contact information? The mounting evidence of ever more and ever worse skulduggery will pull Tempe deeper and deeper down what even she sees as a rabbit hole before she confronts a ringleader implicated in “Drugs. Fraud. Breaking and entering. Arson. Kidnapping. How does attempted murder sound?”

Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.

Pub Date: March 17, 2020

ISBN: 978-1-9821-3888-2

Page Count: 352

Publisher: Scribner

Review Posted Online: Dec. 22, 2019

Kirkus Reviews Issue: Jan. 15, 2020

Close Quickview