A well-written, beautifully produced piece of ancient history.
A fresh history of King Tut and his world, generously illustrated and lucidly written.
The ancient Egyptian obsession with burying important people in elaborate tombs has rewarded archaeologists with more Egyptian artifacts than those found for all other ancient civilizations combined. British journalist Wilkinson, author of many books on this subject, including A World Beneath the Sands, builds this expert history on items recovered from Tutankhamun’s tomb, which, only lightly looted, contained more than 5,000 well-preserved objects and drawings, making it “the greatest archaeological discovery of all time.” Following tradition in the genre, the author includes a history of Egyptology, initially a sophisticated form of looting in which European antiquarians snapped up objects for their collections. By the 19th century, scholars had solidified the study of ancient Egypt, and the establishment of the Antiquities Service (by the British, who ruled Egypt) produced a steady stream of discoveries, capped by the bombshell of Howard Carter’s 1922 opening of Tutankhamun’s tomb. Wilkinson writes that the early rulers of the Nile Valley were the first humans to exercise authority over a geographically extensive state, beginning around 3000 B.C.E. The pharaonic government endured unchanged—though often challenged—for three millennia until Cleopatra surrendered to Rome in 31 B.C.E. It remains the longest-lived nation in history; as the author notes, “a greater span of time separated the Great Pyramid from Cleopatra than separates her from our own age.” Even better, artifacts include innumerable written documents because papyrus preserves better than paper. Uniquely blessed with material, scholars have had no trouble filling multivolume tomes on ancient Egypt, but readers will have no regrets at the end of this one. Beginning not with “prehistoric” but “predynastic” people who settled in the river valley, he moves smoothly through the Old, Middle, and New Kingdoms, inevitably emphasizing religion but not ignoring politics and war as well as the surprisingly well-documented daily lives of the people. The book includes 50 black-and-white photos and 16 pages of color.
A well-written, beautifully produced piece of ancient history.Pub Date: Nov. 1, 2022
ISBN: 978-0-393-53170-1
Page Count: 496
Publisher: Norton
Review Posted Online: Sept. 13, 2022
Kirkus Reviews Issue: Oct. 1, 2022
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A virtuoso performance and an ode to an undervalued medium created by two talented artists.
The veteran actor, comedian, and banjo player teams up with the acclaimed illustrator to create a unique book of cartoons that communicates their personalities.
Martin, also a prolific author, has always been intrigued by the cartoons strewn throughout the pages of the New Yorker. So when he was presented with the opportunity to work with Bliss, who has been a staff cartoonist at the magazine since 1997, he seized the moment. “The idea of a one-panel image with or without a caption mystified me,” he writes. “I felt like, yeah, sometimes I’m funny, but there are these other weird freaks who are actually funny.” Once the duo agreed to work together, they established their creative process, which consisted of working forward and backward: “Forwards was me conceiving of several cartoon images and captions, and Harry would select his favorites; backwards was Harry sending me sketched or fully drawn cartoons for dialogue or banners.” Sometimes, he writes, “the perfect joke occurs two seconds before deadline.” There are several cartoons depicting this method, including a humorous multipanel piece highlighting their first meeting called “They Meet,” in which Martin thinks to himself, “He’ll never be able to translate my delicate and finely honed droll notions.” In the next panel, Bliss thinks, “I’m sure he won’t understand that the comic art form is way more subtle than his blunt-force humor.” The team collaborated for a year and created 150 cartoons featuring an array of topics, “from dogs and cats to outer space and art museums.” A witty creation of a bovine family sitting down to a gourmet meal and one of Dumbo getting his comeuppance highlight the duo’s comedic talent. What also makes this project successful is the team’s keen understanding of human behavior as viewed through their unconventional comedic minds.
A virtuoso performance and an ode to an undervalued medium created by two talented artists.Pub Date: Nov. 17, 2020
ISBN: 978-1-250-26289-9
Page Count: 272
Publisher: Celadon Books
Review Posted Online: Aug. 30, 2020
Kirkus Reviews Issue: Sept. 15, 2020
PERSPECTIVES
An exquisitely original celebration of American Blackness.
A potent series of “notes” paints a multidimensional picture of Blackness in America.
Throughout the book, which mixes memoir, history, literary theory, and art, Sharpe—the chair of Black studies at York University in Toronto and author of the acclaimed book In the Wake: On Blackness and Being—writes about everything from her family history to the everyday trauma of American racism. Although most of the notes feature the author’s original writing, she also includes materials like photographs, copies of letters she received, responses to a Twitter-based crowdsourcing request, and definitions of terms collected from colleagues and friends (“preliminary entries toward a dictionary of untranslatable blackness”). These diverse pieces coalesce into a multifaceted examination of the ways in which the White gaze distorts Blackness and perpetuates racist violence. Sharpe’s critique is not limited to White individuals, however. She includes, for example, a disappointing encounter with a fellow Black female scholar as well as critical analysis of Barack Obama’s choice to sing “Amazing Grace” at the funeral of the Rev. Clementa Pinckney, who was killed in a hate crime at the Mother Emmanuel AME Church in Charleston, South Carolina. With distinct lyricism and a firm but tender tone, Sharpe executes every element of this book flawlessly. Most impressive is the collagelike structure, which seamlessly moves among an extraordinary variety of forms and topics. For example, a photograph of the author’s mother in a Halloween costume transitions easily into an introduction to Roland Barthes’ work Camera Lucida, which then connects just as smoothly to a memory of watching a White visitor struggle with the reality presented by the Legacy Museum in Montgomery, Alabama. “Something about this encounter, something about seeing her struggle…feels appropriate to the weight of this history,” writes the author. It is a testament to Sharpe’s artistry that this incredibly complex text flows so naturally.
An exquisitely original celebration of American Blackness.Pub Date: April 25, 2023
ISBN: 9780374604486
Page Count: 392
Publisher: Farrar, Straus and Giroux
Review Posted Online: Jan. 18, 2023
Kirkus Reviews Issue: Feb. 15, 2023
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