A sometimes-grandiose but often captivating argument for the house as the framework for a vibrant life.
Witte encourages readers to find fulfillment in custom-designed homes in this architectural manifesto.
The author, an architect, mounts a wide-ranging critique of mass-produced American tract housing on many grounds—unsustainability, carbon footprint, the legacy of discriminatory redlining—but emphasizes its aesthetic and spiritual barrenness. A house, he asserts, should instead be “a piece of livable art” and “a stage that will perpetuate the wonders of your own and only being,” one that’s wildly creative—perhaps “burrowed into the earthen depths of a hill or flying high on stilts”—and dazzling enough to raise “goose bumps” (to procure such a home, he advises readers to hire an architectural firm and focus on the rapturous experiences the house will support rather than on the high price). Witte explores many aspects of housing and architecture, from construction costs to the feel of brick to the play of natural light through windows, including disquisitions on—and photos of—his own home designs. The houses he showcases are very modernist, with a rectilinearity softened by natural elements that feels like a mashup of Mies van der Rohe and Frank Lloyd Wright; they include the Gerendák Residence, which has sent visitors into fits of joyful weeping, and his own self-designed residence, which features nifty innovations like hollowed-out stairway steps for stowing shoes. The author’s paeans to the house as the smithy of the soul can sound overdone (“approach your design team asking for a built environment that allows you to be happier, more fulfilled, tickled by sensual riches, provided with more emotional depth, and enriched by a heightened sense of self”), but when he writes about specific buildings his vivid prose ably evokes the psychological impact of material structures (“The entry of the Pantheon famously tightens as you enter from the passages and small piazzas of the Eternal City, only to release you into a vast, open, round-domed space that ultimately culminates in a small oculus at its apex. A bird would fly right through”). The result is an absorbing brief for great architecture as a human necessity.
A sometimes-grandiose but often captivating argument for the house as the framework for a vibrant life.Pub Date: Feb. 14, 2023
ISBN: 9781953555472
Page Count: 244
Publisher: SPARK Publications
Review Posted Online: June 26, 2023
Review Program: Kirkus Indie
An ebullient nature lover’s paean to birds.
A charming bird journey with the bestselling author.
In his introduction to Tan’s “nature journal,” David Allen Sibley, the acclaimed ornithologist, nails the spirit of this book: a “collection of delightfully quirky, thoughtful, and personal observations of birds in sketches and words.” For years, Tan has looked out on her California backyard “paradise”—oaks, periwinkle vines, birch, Japanese maple, fuchsia shrubs—observing more than 60 species of birds, and she fashions her findings into delightful and approachable journal excerpts, accompanied by her gorgeous color sketches. As the entries—“a record of my life”—move along, the author becomes more adept at identifying and capturing them with words and pencils. Her first entry is September 16, 2017: Shortly after putting up hummingbird feeders, one of the tiny, delicate creatures landed on her hand and fed. “We have a relationship,” she writes. “I am in love.” By August 2018, her backyard “has become a menagerie of fledglings…all learning to fly.” Day by day, she has continued to learn more about the birds, their activities, and how she should relate to them; she also admits mistakes when they occur. In December 2018, she was excited to observe a Townsend’s Warbler—“Omigod! It’s looking at me. Displeased expression.” Battling pesky squirrels, Tan deployed Hot Pepper Suet to keep them away, and she deterred crows by hanging a fake one upside down. The author also declared war on outdoor cats when she learned they kill more than 1 billion birds per year. In May 2019, she notes that she spends $250 per month on beetle larvae. In June 2019, she confesses “spending more hours a day staring at birds than writing. How can I not?” Her last entry, on December 15, 2022, celebrates when an eating bird pauses, “looks and acknowledges I am there.”
An ebullient nature lover’s paean to birds.Pub Date: April 23, 2024
ISBN: 9780593536131
Page Count: 320
Publisher: Knopf
Review Posted Online: Jan. 19, 2024
Kirkus Reviews Issue: Feb. 15, 2024
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
A virtuoso performance and an ode to an undervalued medium created by two talented artists.
The veteran actor, comedian, and banjo player teams up with the acclaimed illustrator to create a unique book of cartoons that communicates their personalities.
Martin, also a prolific author, has always been intrigued by the cartoons strewn throughout the pages of the New Yorker. So when he was presented with the opportunity to work with Bliss, who has been a staff cartoonist at the magazine since 1997, he seized the moment. “The idea of a one-panel image with or without a caption mystified me,” he writes. “I felt like, yeah, sometimes I’m funny, but there are these other weird freaks who are actually funny.” Once the duo agreed to work together, they established their creative process, which consisted of working forward and backward: “Forwards was me conceiving of several cartoon images and captions, and Harry would select his favorites; backwards was Harry sending me sketched or fully drawn cartoons for dialogue or banners.” Sometimes, he writes, “the perfect joke occurs two seconds before deadline.” There are several cartoons depicting this method, including a humorous multipanel piece highlighting their first meeting called “They Meet,” in which Martin thinks to himself, “He’ll never be able to translate my delicate and finely honed droll notions.” In the next panel, Bliss thinks, “I’m sure he won’t understand that the comic art form is way more subtle than his blunt-force humor.” The team collaborated for a year and created 150 cartoons featuring an array of topics, “from dogs and cats to outer space and art museums.” A witty creation of a bovine family sitting down to a gourmet meal and one of Dumbo getting his comeuppance highlight the duo’s comedic talent. What also makes this project successful is the team’s keen understanding of human behavior as viewed through their unconventional comedic minds.
A virtuoso performance and an ode to an undervalued medium created by two talented artists.Pub Date: Nov. 17, 2020
ISBN: 978-1-250-26289-9
Page Count: 272
Publisher: Celadon Books
Review Posted Online: Aug. 30, 2020
Kirkus Reviews Issue: Sept. 15, 2020
PERSPECTIVES
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