The killer climax mixes Steinbeck's “Tell me about the rabbits, George” with Thelma and Louise's high-flying electricity. A...
Entertaining, movie-thin comedy not out to change your life, only to offer an amusing read, which it does with high success.
Like Val, who hires and fires for the Cosmodemonic telegraph company in Tropic of Capricorn, Lonnie Milton, 25, is a rising supervisor at L.A.'s Staff Genius, a company that releases temps as if at random into the mazes of La-La-Land. Lonnie's aging supervisor, Julie, has been taking lots of sick leave and entrusting the company to Lonnie and his lackadaisical drinking buddy Charlie—though how they keep their sales numbers up is a mystery. One night Lonnie meets drop-dead gorgeous Claire Goodens (née Hilary Peck), who introduces Lonnie to the highest high life in L.A., all of it stolen. At trendy Intermezzo, they run up a dinner bill of $670 plus tip, then stiff the waiter and blithely take off in a waiting cab. The waiter, fired for not having enough money to repay the restaurant, turns up at Staff Genius, looking for a job from Lonnie. When Lonnie sends Claire out to fill a temp job, she semi-seduces the boss; Lonnie blackmails him (splitting with Claire the $1,500 down payment); and the boss leaps from his office window. These shenanigans, and his later identification as a restaurant terrorist, lead Lonnie to get violently evicted from his apartment, to come near death after an overdose of painkillers on top of alcohol, to lose his own job, to become a murder suspect, and to turn into the culture-hero darling of TV news.
The killer climax mixes Steinbeck's “Tell me about the rabbits, George” with Thelma and Louise's high-flying electricity. A perfect trade paperback with all the sleaze and glamour of the old paperbacks of 50 years ago.Pub Date: July 1, 2000
ISBN: 0-7434-0056-9
Page Count: 208
Publisher: MTV Books/Simon & Schuster
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 1, 2000
Heartfelt, yes, but pretty routine.
Life lessons.
Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.
Heartfelt, yes, but pretty routine.Pub Date: July 1, 2004
ISBN: 0-345-46750-7
Page Count: 400
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2004
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
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