Next book

THE BOY WHO SAID WOW

A heartwarming testament to music’s emotional power.

Music moves a nonverbal child to speak.

The narrator explains that Ronan was “born quiet. Some days he hardly says a word.” Today, when Father and Mother suggest outings to the beach or park, he’s quiet. But he looks up when Grandfather bursts in and proposes attending a concert. With refreshing optimism, Grandfather proclaims it “an adventure,” though Ronan’s parents worry about the “challenge” and “risk” of taking him to a performance. And when Ronan, his dog, and Grandfather reach Symphony Hall, an adventure it is. When the music starts, Ronan is swept away in a whirl of notes. Collectively, the instruments sound like “a sky full of stars,” sending him and his cheerful pup into a space-themed reverie. Boss notes that “the darker instruments sound cool and frightening” and the lighter ones sound “warm and friendly” but does not name the instruments, a missed opportunity to deepen readers’ understanding of the music enthralling Ronan. Audience and orchestra members alike are moved to laughter and applause when the music stops, and an awed Ronan utters his first “WOW!” Kheiriyeh’s endearing, pastel-hued cartoon illustrations convey Ronan’s astonishment and joy. Though an author’s note explains that the story is based on an actual nonverbal child’s experience of a Mozart piece in 2019, details such as Mother’s pearls and housedress and Grandfather’s finned car evoke a bucolic 1950s setting. Ronan and his family present white; background characters are racially diverse.

A heartwarming testament to music’s emotional power. (Picture book. 4-6)

Pub Date: April 2, 2024

ISBN: 9781534499713

Page Count: 40

Publisher: Beach Lane/Simon & Schuster

Review Posted Online: Jan. 20, 2024

Kirkus Reviews Issue: Feb. 15, 2024

Next book

AN ABC OF EQUALITY

Adults will do better skipping the book and talking with their children.

Social-equity themes are presented to children in ABC format.

Terms related to intersectional inequality, such as “class,” “gender,” “privilege,” “oppression,” “race,” and “sex,” as well as other topics important to social justice such as “feminism,” “human being,” “immigration,” “justice,” “kindness,” “multicultural,” “transgender,” “understanding,” and “value” are named and explained. There are 26 in all, one for each letter of the alphabet. Colorful two-page spreads with kid-friendly illustrations present each term. First the term is described: “Belief is when you are confident something exists even if you can’t see it. Lots of different beliefs fill the world, and no single belief is right for everyone.” On the facing page it concludes: “B is for BELIEF / Everyone has different beliefs.” It is hard to see who the intended audience for this little board book is. Babies and toddlers are busy learning the names for their body parts, familiar objects around them, and perhaps some basic feelings like happy, hungry, and sad; slightly older preschoolers will probably be bewildered by explanations such as: “A value is an expression of how to live a belief. A value can serve as a guide for how you behave around other human beings. / V is for VALUE / Live your beliefs out loud.”

Adults will do better skipping the book and talking with their children. (Board book. 4-6)

Pub Date: Sept. 3, 2019

ISBN: 978-1-78603-742-8

Page Count: 52

Publisher: Frances Lincoln

Review Posted Online: Sept. 23, 2019

Kirkus Reviews Issue: Oct. 15, 2019

Next book

DANCING HANDS

HOW TERESA CARREÑO PLAYED THE PIANO FOR PRESIDENT LINCOLN

Like a concerto for the heart.

Venezuelan pianist Teresa Carreño performs for President Abraham Lincoln amid a raging Civil War in Engle and López’s portrait of an artist.

Thanks to parental encouragement, Teresita learned about “all the beautiful / dark and light keys / of a piano” at an early age. By the age of 6, she composed original songs. Revolución in Venezuela soon drove an 8-year-old Teresa and her family to sail across the stormy sea to the United States, but the Carreño family arrived only to find another violent conflict—“the horrible Civil War”—in their adopted country. Despite the initial alienation that comes from being in an unfamiliar country, Teresita continued to improve and play “graceful waltzes and sonatas, / booming symphonies, and lively folk songs.” The Piano Girl’s reputation spread far, eventually garnering the attention of Lincoln, who invited the 10-year-old to perform at the White House! Yet the Civil War festered on, tormenting Teresita, who wished to alleviate the president’s burdens for at least one night. “How could music soothe / so much trouble?” Half biographical sketch, half wide-eyed tribute, Engle and López’s collaboration endearingly builds to Teresa’s fateful meeting with Lincoln like a gravitational pull, with bursts of compassion and admiration for both artist and public servant. Engle’s free verse whirls and twirls, playful and vivacious, while López’s vivid, colorful artwork elevates this story to heavenly heights.

Like a concerto for the heart. (historical note) (Informational picture book. 4-6)

Pub Date: Aug. 27, 2019

ISBN: 978-1-4814-8740-5

Page Count: 40

Publisher: Atheneum

Review Posted Online: May 11, 2019

Kirkus Reviews Issue: June 1, 2019

Close Quickview