Hendrix’s richly detailed, brightly colored spreads make the book visually engaging, but on the whole it feels out of sync...
McToad likes Thursdays, the day he mows Tiny Island.
Every Thursday, he rides the mower out of the shed onto his big truck and puts the mower onto a train with a forklift. The train takes the mower to the airport, where it is carried by conveyor belt to an airplane. The mower is flown to the other side of the island, where a baggage buggy takes it to a helicopter that transports it to a dock. There, it is lowered by crane onto a boat, then sailed to the island. The island is truly tiny; in fact the mower takes up most of the small lawn that sits atop the island. The task at hand is swiftly completed (after a sip of lemonade for McToad and an oil refill for the tractor), and an arrowed diagram shows the mower returning home by the same route in reverse. The book jacket proclaims this “a transportation tale,” and it certainly covers a dizzying array of modes, but at a time when the scientific community—and even the pope—is issuing ever sterner warnings about climate change, it’s hard not to see McToad’s weekly odyssey as anything but an unnecessary journey and a profligate consumption of resources. The black smoke issuing from McToad’s tractor chimney throughout as well as the patent ludicrousness of the entire endeavor only serves to emphasize this.
Hendrix’s richly detailed, brightly colored spreads make the book visually engaging, but on the whole it feels out of sync with evolving sensibilities and awareness. (Picture book. 3-5)Pub Date: Sept. 1, 2015
ISBN: 978-1-4197-1650-8
Page Count: 40
Publisher: Abrams
Review Posted Online: June 22, 2015
Kirkus Reviews Issue: July 15, 2015
This is a tremendously moving story, but some people will be moved only on the second reading, after they’ve Googled “How to...
A hug shouldn’t require an instruction manual—but some do.
A porcupine can frighten even the largest animal. In this picture book, a bear and a deer, along with a small rabbit, each run away when they hear eight simple words and their name: “I need a hug. Will you cuddle me,…?” As they flee, each utters a definitive refusal that rhymes with their name. The repetitive structure gives Blabey plenty of opportunities for humor, because every animal responds to the question with an outlandish, pop-eyed expression of panic. But the understated moments are even funnier. Each animal takes a moment to think over the request, and the drawings are nuanced enough that readers can see the creatures react with slowly building anxiety or, sometimes, a glassy stare. These silent reaction shots not only show exquisite comic timing, but they make the rhymes in the text feel pleasingly subtle by delaying the final line in each stanza. The story is a sort of fable about tolerance. It turns out that a porcupine can give a perfectly adequate hug when its quills are flat and relaxed, but no one stays around long enough to find out except for an animal that has its own experiences with intolerance: a snake. It’s an apt, touching moral, but the climax may confuse some readers as they try to figure out the precise mechanics of the embrace.
This is a tremendously moving story, but some people will be moved only on the second reading, after they’ve Googled “How to pet a porcupine.” (Picture book. 3-5)Pub Date: Jan. 29, 2019
ISBN: 978-1-338-29710-2
Page Count: 32
Publisher: Scholastic
Review Posted Online: Sept. 29, 2018
Kirkus Reviews Issue: Oct. 15, 2018
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A funny tale about stress and an ever upping ante, with a comforting end.
Something is preventing Owl from falling asleep.
Owl leans back against his white pillow and headboard. “Squeek!” says something underneath the bed. Owl’s never heard that sound before, so he fastens his pink bathrobe and answers the front door. Nobody. It must be the wind; back to bed. Bidding himself goodnight, he climbs into bed—and hears the noise again. Time after time, he pops out of bed seeking the squeaker. Is it in the cupboard? He empties the shelves. Under the floor? He pulls up his floorboards. As Owl’s actions ratchet up—he destroys the roof and smashes the walls, all in search of the squeak—so does his anxiety. Not until he hunkers down in bed under the night sky (his bed is now outdoors, because the house’s roof and walls are gone), frantically clutching his pillow, does he see what readers have seen all along: a small, gray mouse. In simple illustrations with black outlines, textured coloring, and foreshortened perspective, Pizzoli plays mischievously with mouse placement. Sometimes the mouse is behind Owl or just out of his sightline; other times, the mouse is on a solid, orange-colored page across the spread from Owl, which removes him from Owl’s scene in a rather postmodern manner. Is the mouse toying with Owl? Who knows?
A funny tale about stress and an ever upping ante, with a comforting end. (Picture book. 3-5)Pub Date: April 19, 2016
ISBN: 978-1-4847-1275-7
Page Count: 48
Publisher: Disney-Hyperion
Review Posted Online: Jan. 19, 2016
Kirkus Reviews Issue: Feb. 1, 2016
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