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COTTON SONG

Tiresome, by-the-numbers Southern fiction—an odd combination of the overheated and boring.

Trembling earnestness almost redeems the turgid prose and superabundance of stock characters in this murder mystery that strains hard for mythic import and Deep Meaning.

Hushpuckashaw County, Miss., is hell. And Bailey (The Grace That Keeps This World, 2005, etc.) stokes the fire relentlessly. There’s been a demonic crime: Drowned in the bath one Friday morning is the baby girl of Sissy Rule Tisdale, daughter of the backwater’s leading family. And the punishment is yet more heinous: Letitia Johnson, the Rules’s long-trusted nanny, is lynched, then tarred and set on fire. Into the aftermath arrives Baby Allen, a social worker entrusted to find a foster home for Letitia’s hapless daughter, a 12-year-old fearing the eye-for-an-eye wrath of vigilantes headed up by the nefarious Calvin McGales. He’s captain of Camp 5 of Parchman Farm, the state’s bleakest prison. Mr. Boss Chief Lemaster, more or less Satan incarnate, runs the inferno. His boy, Jake, betrays occasional decency, even while skulking in the shadows, afraid to cross his social-climbing, doll-perfect missus. Jake has his hands full when Bigger, Letitia’s lover and a hulking Parchman presence, stabs a prison guard, committing the grossest act of all: Black con offs white cop. Soon enough, Baby’s and Jake’s paths intersect—she desperate for info that’ll clear Letitia (hint: Sissy’s mom is fairly unhinged), he desperate that Parchman not become a riot scene. In subplot after subplot, Bailey piles on the aw-shucks dialogue while hoeing the same row that Harper Lee and Earnest Gaines did so much better. Ultimately, Jake is martyred; Baby is vindicated; Letitia’s daughter herself becomes a social worker.

Tiresome, by-the-numbers Southern fiction—an odd combination of the overheated and boring.

Pub Date: Oct. 31, 2006

ISBN: 1-4000-8332-X

Page Count: 336

Publisher: Shaye Areheart/Harmony

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 2006

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THE ALCHEMIST

Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind. 

 The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility. 

 Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Pub Date: July 1, 1993

ISBN: 0-06-250217-4

Page Count: 192

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 1993

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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