A sharp and intriguing tale about a gay draftee in the ’60s.
A novel tells the story of a gay Army recruit in the Vietnam era.
In 1967, Tim Halladay has just graduated from college when he gets his draft notice in the mail. His request for a deferment to attend the Yale School of Drama is denied, and he refuses to employ his only other out—the fact that he’s gay. Even straight men are “checking the box” to avoid military service, but Halladay refuses to do the same even if he can’t explain why: “For what? To prove something…that I was as good as the next guy…I would never ‘check the box’ to get out of serving in the military.” The war in Vietnam means this decision may cost him his life, but he nevertheless reports to the Army Training Center at Fort Jackson, South Carolina. From the beginning he is derided as a rich kid and college boy by his fellow recruits, none of whom seem any more pleased to be there than he is. Despite their differences, friendships are formed, and through the rigors of basic training, Halladay experiences a camaraderie that is both alien and comforting. He works to make a place for himself in the military hierarchy, but he can only keep his identity hidden for so long. It may not be Vietnam that brings him down but rather his own sexual past. Narrated by Halladay in the first person, Baker’s (Paperwhite Narcissus, 2014, etc.) prose is fluid and full of personality, packed with humor and astute observations about the soldier’s world and the characters who inhabit it. His treatment of the culture of the Army is particularly entertaining, full of nicknames, machismo, and physicality that take on added meaning given the protagonist’s hidden orientation. This is not a tale about war; Halladay never makes it that far. Rather, this is a story about the military at home: the manner in which it forces people into its structures and the ways in which it is and isn’t a microcosm of society. Halladay makes for an adept and compelling guide through this environment.
A sharp and intriguing tale about a gay draftee in the ’60s.Pub Date: Aug. 15, 2017
ISBN: 978-1-59021-672-9
Page Count: -
Publisher: Lethe Press
Review Posted Online: June 15, 2017
Kirkus Reviews Issue: July 15, 2017
Review Program: Kirkus Indie
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BOOK REVIEW
Heartfelt, yes, but pretty routine.
Life lessons.
Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.
Heartfelt, yes, but pretty routine.Pub Date: July 1, 2004
ISBN: 0-345-46750-7
Page Count: 400
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2004
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
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BOOK REVIEW
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