The master of the techno-thriller places nuclear-weapon technology in the hands of Third World terrorists and sets the superpowers on the path to Armageddon just when everybody thought it was safe to relax. Clancy dishes out page after page of highly detailed atomic bomb assembly directions and nuclear submarine specifications, enough technodazzle to satisfy the most seriously committed technofreak, but it is plain old-fashioned plotting in the best, hair-raising, we're-all-going-to-die-in-five-seconds-if-somebody-doesn't-do-something tradition that keeps things cracking in the very eventful life of Jack Ryan, hijacker of submarines, friend of princes, wizard of Wall Street, true spirit of the CIA, and devoted father. This time Ryan's nemeses are Arab terrorists who stumble on a lost Israeli atom bomb and get big ideas; the cowardly but attractive National Security Director who shares the President's pillow and hates our Jack; and the bottle. It is the last of these plagues that most worries Ryan's pretty ophthalmologist wife and friends. Stressed out by his responsibilities at Langley, unwinding every night with wine-in-a-box, he's gotten paunchy and cranky and unable to fulfill his husbandly role, and he's become vulnerable to the machinations of his archenemy Liz Elliot, the widowered President's favorite advisor. A boozy, discredited Jack Ryan means that the US is in deep danger when the Arabs hire an East German physicist to upgrade their beatup but still lethal old bomb before placing it outside the Super Bowl game in Denver. With Ryan out of favor there's no one to counter Ms. Elliot's misinformed ravings. The pesky terrorists and their truculent Native American recruit intend the atomic explosion to stir things up between the Americans and the supposedly deranged Soviets—and they get their wish. Ignoring Jack Ryan, listening to Liz Elliot, everybody in Washington panics, the Soviets get their backs up, bombers launch, submarines crank up their missiles, and thanks to more terrorist meddling, tanks from both sides start blowing each other up in Berlin. Has Jack knocked off the sauce in time to save the world? Clancy swears he has left the critical parts out of the atom bomb directions, and we will all just have to pray that he has. They sure seem complete, though. This is quite a rouser.
Pub Date: Aug. 14, 1991
ISBN: 0-399-13615-0
Page Count: 800
Publisher: Putnam
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 1, 1991
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
Amateurish, with a twist savvy readers will see coming from a mile away.
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
BOOK REVIEW
BOOK REVIEW
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
