A satisfying thriller, with enough evildoers left over to ensure the possibility of another Ryan-Ryan adventure.
In which Jack Ryan, Junior and Senior, take on most of the bad guys in the world. Guess who wins.
Writing with international relations maven turned novelist Greaney, techno geek and political mayhem lover Clancy (The Hunt for Red October, 1984, etc.) drafts a legion of villains—al-Qaida operatives, rogue spooks, former Gadhafi agents and high-ups in the Chinese Communist Party—who are separately and together up to decidedly no good when it comes to the sovereign interests of the U.S., now led by former CIA agent Jack Ryan. His namesake son is a field agent, as adept as dad at identifying and eliminating threats, and the threats are ever so many. Junior and company have a clinically efficient way about them: “Target Four died, slumped on the floor by the toilet in the bathroom of the sports stadium, certain that this all must have been some terrible mistake.” Even so, getting to the heaviest of the heavies, among them brilliant hackers who, from the safety of China, are working 24/7 to break into America’s computers, takes them a little more effort and planning. Most of those heavies are believable, though one of them, a certain Tong, has a sort of Odd Job quality to him: “Not much gave him pleasure, his brain had been virtually programmed by the state so that it did not respond to such banal stimuli as pleasure.” It’s a pleasure, banal or no, to watch the Ryans at work against such fierce competition, and Clancy and Greaney are at the top of their game. Interestingly, too, Clancy’s writing has shed some of its erstwhile woodenness, and though he still loves gadgetry and military hardware, his latest doesn’t read like a tech manual, which is all to the good.
A satisfying thriller, with enough evildoers left over to ensure the possibility of another Ryan-Ryan adventure.Pub Date: Dec. 4, 2012
ISBN: 978-0-399-16045-5
Page Count: 835
Publisher: Putnam
Review Posted Online: Dec. 7, 2012
Kirkus Reviews Issue: Jan. 1, 2013
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
Amateurish, with a twist savvy readers will see coming from a mile away.
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
BOOK REVIEW
BOOK REVIEW
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