Superultramegatechnothriller bestseller Clancy drops the technobits for a story about a beached SEAL who—with nothing but low-tech knives and home-modified artillery—takes on the drug traders of Baltimore and the North Vietnamese Army at the same time. During the first Nixon term, recently widowed Vietnam vet and underwater-demolition expert John Kelly picks up a pretty pedestrian named Pam on his way to the diesel-powered yacht where he's been licking his wounds since the accidental death of his pregnant wife. Pam, a prostitute, is on the lam from her sadistic pimp Henry, an ambitious and rising drug-dealer. Even as Kelly is feeding a grateful Pam, Henry's henchmen are just down the Chesapeake Bay feeding an associate to the crabs. Out fishing the next day, Pam and Kelly have a cute-meet with physicians Sam and Sarah Rosen, who kindly clean up Pam's sexually transmitted diseases and drug addiction after Kelly fixes their corroded screws. Meanwhile, in North Vietnam, Ho Chi Minh's fiends have locked up 20 downed and reportedly dead American flyers in a secret prison to be interrogated by a Soviet colonel about American air strategy. The US government knows about the prisoners but is willing to sacrifice them for the good of the Paris peace talks. Back in Baltimore, Kelly takes the rebuilt Pam back to her old haunts so he can punish her wrongdoers, but they themselves are the victims. Pam dies a cruel death, and Kelly takes a shotgun blast in the neck. Weeks later, a brokenhearted Kelly resolves to wipe out the drug-dealing dirt who did in his sweetheart, accepting at the same time a commission to rescue the flyers. He'll have to hurry. Henry has linked up with the mob, and it won't be long before the pilots outlive their usefulness. Among the countless complications: a pair of dope-smoking Ivy League draft evaders, and some commendably persistent detectives from the Baltimore police force. Twice as long as the two rather creaky storylines can bear, but the millions of midlevel, desk-bound, action-loving bureaucrats whose adventurous wishes Clancy so faithfully fulfills are unlikely to complain.
Pub Date: Aug. 11, 1993
ISBN: 0-399-13825-0
Page Count: 608
Publisher: Putnam
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 1, 1993
BOOK TO SCREEN
BOOK TO SCREEN
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
Amateurish, with a twist savvy readers will see coming from a mile away.
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
BOOK REVIEW
BOOK REVIEW
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