Freelance writer Engelhardt offers an eloquent obituary for American triumphalism, which died a slow death in the years between US victory in WW II and the Gulf War. Engelhardt traces the roots of America's national ``war story,'' its public myth of just warfare and inevitable victory against savage and lesser peoples, to the beginnings of European settlement in the New World. He argues that colonial and early American justification of the slaughter of Indians became a paradigm for its national war story through subsequent Indian wars, the Revolution, and the Civil War. During these wars, and in the retelling of them to later generations, Americans justified violence and atrocities by stressing the nobility of America's cause and the inevitable victory of American arms. Engelhardt points to the transformation and decline of this ``victory culture'' in America's Asian wars, beginning with the atomic horror of Hiroshima and Nagasaki, continuing through stalemate in Korea, and ending in defeat in Vietnam. In recreating the national myths Americans have told themselves, Engelhardt deftly extracts meaning about America's popular and political cultures from fiction, films, and children's toys and comics. As America became mired in Asian wars, the ``war story'' became as tinged with racism as it had been during the Indian wars. Later, the narrative tapped into fears of nuclear disaster and anti-Communist paranoia. During the Vietnam War, the national myth languished and finally perished as the US military became trapped in a war the public couldn't understand and ultimately loathed. Finally, the author discusses the failure of attempts to revive the national war myth, from actions in Grenada and Panama, through the hollow, strangely untriumphant ``total television'' of the Gulf War. A poignant, insightful work that examines how Americans have viewed their country in the past, and that leaves open the question of how America will define itself without an enemy in the postCold War future.
Pub Date: Jan. 11, 1995
ISBN: 0-465-01984-6
Page Count: 320
Publisher: Basic Books
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 1, 1994
BOOK REVIEW
BOOK REVIEW
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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