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THE CHRIS FARLEY SHOW

A BIOGRAPHY IN THREE ACTS

Essential for Farley and SNL fans, and a sterling example of oral biography—well-structured, consistently engaging and...

Family, friends and colleagues remember the late Saturday Night Live star.

When legendary comedy-improv writer and instructor Del Close first saw Chris Farley perform, he commented, “Oh, that’s the next John Belushi.” That praise would prove prophetic in both a positive and a negative way: Like Belushi, Farley’s rapid rise to fame was attended by a lifelong battle with weight problems and substance abuse. In this moving oral biography, older brother Tom Jr. and former National Lampoon Radio Hour head writer Colby (co-author: Belushi, 2005) assemble a layered, in-depth portrait of both Farley’s professional and personal lives, culled from more than 130 interviews with dozens of his closest friends and confidantes. After quickly ascending through the ranks of ImprovOlympic and Second City in Chicago, Farley landed his dream job at SNL—and later, starring roles in Tommy Boy and Black Sheep, among others. (Farley was also the original choice for the voice of Shrek, but his death led to the hiring of Mike Myers.) His colleagues universally recognized his talent, boundless energy and lust for life, but it quickly became clear that he was also battling demons that had been lingering since adolescence: Irish-Catholic guilt; addictive personality; the self-imposed pressure to please everyone around him, especially his father, who was extremely loving but also an obese alcoholic, enabling his son’s issues with alcohol. During the course of the ten years leading up to his death, Farley was in and out of various rehabilitation centers, at one point staying clean for three years. But he was unable to overcome his problems and died of an overdose in December 1997. The editors deserve credit for eliciting such heartfelt remembrances (not all of it positive) from an impressive list of celebrities—Alec Baldwin, John Goodman, Lorne Michaels, Conan O’Brien, Chris Rock, David Spade, Kevin Nealon, Rob Lowe, Al Franken, Penelope Spheeris and many more—but readers should also pay close attention to Farley’s family and friends, who get right to the heart of this flawed but humble, remarkably compassionate and enormously talented performer.

Essential for Farley and SNL fans, and a sterling example of oral biography—well-structured, consistently engaging and simultaneously heartwarming and heartbreaking.

Pub Date: May 6, 2008

ISBN: 978-0-670-01923-6

Page Count: 344

Publisher: Viking

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 15, 2008

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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