by Tom Fletcher ; illustrated by Greg Abbott ‧ RELEASE DATE: Sept. 4, 2018
A fun story with plenty of little-kid appeal.
A freshly-hatched dragon causes pyrotechnic trouble in this equally interactive follow-up to There’s a Monster in Your Book (2017).
A purple egg is about to hatch. “Whatever you do, don’t turn the page…,” you’re warned. But of course you do, and a baby dragon hatches. She’s quite cute, but when you tickle her nose she sneezes, lighting a tiny fire that you’re exhorted to put out. The tiny fire leads to more, and the narrator tells you to “use your imagination to put out the fire,” leading to a water balloon, a flood, a treat for the hungry baby dragon, and a book-flapping goodbye—before the book ends with a gently ominous clutch of more purple eggs. While clearly similar to the earlier title, this storyline is a bit more contrived and less emotional than the original—telling readers to imagine a specific solution seems forced, and the “yummy” ice cream interlude feels like an unnecessary departure from the plot, pandering to children’s appetites. Still, the cute dragon is sure to appeal, and the various points of fourth-wall breakage (blowing on fires, flapping the pages like wings) will make for an energetic and laugh-filled read-aloud, either with a group or one-on-one.
A fun story with plenty of little-kid appeal. (Picture book. 3-7)Pub Date: Sept. 4, 2018
ISBN: 978-1-5247-6638-2
Page Count: 32
Publisher: Random House
Review Posted Online: June 10, 2018
Kirkus Reviews Issue: July 1, 2018
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SEEN & HEARD
by Chloe Perkins ; illustrated by Sandra Equihua ‧ RELEASE DATE: Sept. 13, 2016
A nice but not requisite purchase.
A retelling of the classic fairy tale in board-book format and with a Mexican setting.
Though simplified for a younger audience, the text still relates the well-known tale: mean-spirited stepmother, spoiled stepsisters, overworked Cinderella, fairy godmother, glass slipper, charming prince, and, of course, happily-ever-after. What gives this book its flavor is the artwork. Within its Mexican setting, the characters are olive-skinned and dark-haired. Cultural references abound, as when a messenger comes carrying a banner announcing a “FIESTA” in beautiful papel picado. Cinderella is the picture of beauty, with her hair up in ribbons and flowers and her typically Mexican many-layered white dress. The companion volume, Snow White, set in Japan and illustrated by Misa Saburi, follows the same format. The simplified text tells the story of the beautiful princess sent to the forest by her wicked stepmother to be “done away with,” the dwarves that take her in, and, eventually, the happily-ever-after ending. Here too, what gives the book its flavor is the artwork. The characters wear traditional clothing, and the dwarves’ house has the requisite shoji screens, tatami mats and cherry blossoms in the garden. The puzzling question is, why the board-book presentation? Though the text is simplified, it’s still beyond the board-book audience, and the illustrations deserve full-size books.
A nice but not requisite purchase. (Board book/fairy tale. 3-5)Pub Date: Sept. 13, 2016
ISBN: 978-1-4814-7915-8
Page Count: 24
Publisher: Little Simon/Simon & Schuster
Review Posted Online: Oct. 11, 2016
Kirkus Reviews Issue: Jan. 1, 2017
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adapted by Hannah Eliot ; illustrated by Nivea Ortiz
by Chloe Perkins ; illustrated by Dinara Mirtalipova
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by Abdul-Razak Zachariah ; illustrated by Keturah A. Bobo ‧ RELEASE DATE: July 2, 2019
Vital messages of self-love for darker-skinned children.
On hot summer nights, Amani’s parents permit her to go outside and play in the apartment courtyard, where the breeze is cool and her friends are waiting.
The children jump rope to the sounds of music as it floats through a neighbor’s window, gaze at stars in the night sky, and play hide-and-seek in the moonlight. It is in the moonlight that Amani and her friends are themselves found by the moon, and it illumines the many shades of their skin, which vary from light tan to deep brown. In a world where darkness often evokes ideas of evil or fear, this book is a celebration of things that are dark and beautiful—like a child’s dark skin and the night in which she plays. The lines “Show everyone else how to embrace the night like you. Teach them how to be a night-owning girl like you” are as much an appeal for her to love and appreciate her dark skin as they are the exhortation for Amani to enjoy the night. There is a sense of security that flows throughout this book. The courtyard is safe and homelike. The moon, like an additional parent, seems to be watching the children from the sky. The charming full-bleed illustrations, done in washes of mostly deep blues and greens, make this a wonderful bedtime story.
Vital messages of self-love for darker-skinned children. (Picture book. 3-7)Pub Date: July 2, 2019
ISBN: 978-0-525-55271-0
Page Count: 32
Publisher: Dial Books
Review Posted Online: March 16, 2019
Kirkus Reviews Issue: April 1, 2019
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