THE AUCTION

In Galvin’s future-fiction novel, everyone’s value is determined by how much corporations bid for them.

Sasha Cross, the look-alike daughter of a famous deceased actor, faces an unpleasant situation as she comes of age in a dystopian future. “I’m about to turn twenty-two,” she says, “yet I have no say in what happens to me.” At 22, citizens are auctioned off to corporate entities who will pay retirement benefits to their parents while reaping 25% of their lifelong income. People are ranked—the elite A’s, professional B’s, middle-class C’s, and laborer D’s. Ambitious parents become “asset managers” as they try to maximize their children’s potential earnings in order to ensure their own security. As Sasha tries to negotiate a future where she can find some meaning outside the artificial glamour of Los Angeles celebrity, she struggles to avoid being exploited by those seeking to profit from her resemblance to her adored mother, including her social-climbing friend Brianna and even her own father, who forces her to participate in a reality show about her auction experience. One of her only supporters is her childhood friend Jason, a prominent video game basketball star. Jason, however, faces his own demons in the form of alcoholism and his relationship with a felon who is determined to drag Jason into his illegal schemes. Galvin’s dystopian vision of a celebrity-obsessed society isn’t new, but it’s exceptionally well realized. Thoughtful social critique, romance, friendship, and family dysfunction play out among a complex cast of characters. Other pluses include a taut storyline of corporate ruthlessness versus grassroots resistance and fantastic SF imaginings—from the wholesale insertion of tracking chips to a massive underground system of organ harvesting.  

A creepily convincing depiction of the marriage of corporate power and celebrity worship.