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MENTOR

A MEMOIR

Without wasting a word, Grimes presents a thoroughly readable view of how stories—and writers, at least of a certain...

An illuminating account of a writer’s life under the tutelage of another writer.

Today, Frank Conroy (1936–2005) is not read as much as he should be, but his harrowing memoir Stop-Time (1967) was required reading among aspiring writers for decades. Though he didn’t publish much thereafter, Conroy became the head of the prestigious Iowa Writers’ Workshop and had trained a generation of teachers, novelists and poets by the time Grimes (Creative Writing/Texas State Univ.; City of God, 1995, etc.) arrived in Iowa City. That arrival seemed unlikely at first. After Conroy snubbed Grimes, then working as a waiter, at a Key West literary gathering, Grimes responded by tearing up a copy of Conroy’s book. Yet Conroy, whose gruffness masked a certain reserve, turned out to be a generous teacher, awarding an already accomplished Grimes a fellowship and a coveted place in seminars—favors fraught with peril in the Hobbesian political world of the university. Some of Grimes’s education took place in smoky bars over many drinks, for “Frank ignored warnings about high cholesterol, got drunk nightly, and couldn’t write without a cigarette.” Yet that education was thorough and grounded, and what Grimes tells of it—lessons that might be condensed into the credo, Pay attention—will be of benefit to any aspiring writer, though no substitute for reading voraciously and writing unforgivingly. Grimes delivers an eloquent portrait of the writer’s life, which is often solitary and difficult—though, despite his own history, not necessarily mired in madness (Prozac helped). The author writes self-effacingly, and sometimes quite humorously, as when he reveals the incestuous logrolling of academic writers—you teach my book, and I’ll blurb yours—and the mechanics of the publishing world (as one insider scolds him, “The next time you get an offer from Farrar, Straus, take it”).

Without wasting a word, Grimes presents a thoroughly readable view of how stories—and writers, at least of a certain kind—are made.

Pub Date: Aug. 15, 2010

ISBN: 978-0-9825048-8-8

Page Count: 256

Publisher: Tin House

Review Posted Online: June 3, 2010

Kirkus Reviews Issue: June 1, 2010

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THE PURSUIT OF HAPPYNESS

FROM MEAN STREETS TO WALL STREET

Well-told and admonitory.

Young-rags-to-mature-riches memoir by broker and motivational speaker Gardner.

Born and raised in the Milwaukee ghetto, the author pulled himself up from considerable disadvantage. He was fatherless, and his adored mother wasn’t always around; once, as a child, he spied her at a family funeral accompanied by a prison guard. When beautiful, evanescent Moms was there, Chris also had to deal with Freddie “I ain’t your goddamn daddy!” Triplett, one of the meanest stepfathers in recent literature. Chris did “the dozens” with the homies, boosted a bit and in the course of youthful adventure was raped. His heroes were Miles Davis, James Brown and Muhammad Ali. Meanwhile, at the behest of Moms, he developed a fondness for reading. He joined the Navy and became a medic (preparing badass Marines for proctology), and a proficient lab technician. Moving up in San Francisco, married and then divorced, he sold medical supplies. He was recruited as a trainee at Dean Witter just around the time he became a homeless single father. All his belongings in a shopping cart, Gardner sometimes slept with his young son at the office (apparently undiscovered by the night cleaning crew). The two also frequently bedded down in a public restroom. After Gardner’s talents were finally appreciated by the firm of Bear Stearns, his American Dream became real. He got the cool duds, hot car and fine ladies so coveted from afar back in the day. He even had a meeting with Nelson Mandela. Through it all, he remained a prideful parent. His own no-daddy blues are gone now.

Well-told and admonitory.

Pub Date: June 1, 2006

ISBN: 0-06-074486-3

Page Count: 320

Publisher: Amistad/HarperCollins

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 15, 2006

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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