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THE RAYMOND CHANDLER PAPERS

SELECTED LETTERS AND NON-FICTION, 1909-1959

A literary crime committed against one of the greatest writers of the last century.

A collection of letters, poetry, and essays by the master of detective fiction.

Chandler had all the traditional shortcomings of a well-bred, alcoholic Englishman, but he was anything but sloppy in the construction of his prose. Hiney (On the Missionary Trail, not reviewed) and MacShane (The Selected Letters of Raymond Chandler, not reviewed), however, violate the very logic and meticulousness that graced Chandler’s novels, with this disastrously amorphous hodgepodge, which seems to resemble a sort of literary equivalent of the parable of the wheat and the tares. For, although the editors had no lack of good material to draw on, they seem to have made a special effort to publish the great man’s dreck. Chandler’s poems and essays are mostly overwritten, puerile efforts that do not seem to shed any light on his genius—in fact, they detract from it. Many of his letters, however, are worthy of note: his wise commentary on the writing process, his stern debunking of fellow mystery writers such as James Cain and Agatha Christie, his decidedly ambivalent feelings of awe and disgust for Hemingway and Hammet, and his constant railing against the whoredom of Hollywood screenwriting. While most of these letters are pure Chandler and thoroughly enjoyable, they are poorly organized and seem to have been edited on the run. Chandler himself, master of form that he was, would surely have sent Marlowe on the case to sort out this jumbled compilation. At the very least, some sort of chronology is needed to put things into perspective.

A literary crime committed against one of the greatest writers of the last century.

Pub Date: April 1, 2001

ISBN: 0-87113-786-0

Page Count: 288

Publisher: Atlantic Monthly

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: March 1, 2001

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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