THE WOLF-GIRL, THE GREEKS, AND THE GODS

Atmospheric illustrations ratchet up the melodrama in this retelling of the war between the Greeks and Persians.

Plainly influenced by ancient vase paintings, Cockcroft places slender, actively posed, geometrically planed warriors and women into darkly clouded settings sometimes splashed with red to reinforce the grim tone of a narrative delivered by Gorgo, daughter of a Spartan king. Like nearly everyone in the cast except the Greek gods and demigods who put in occasional appearances, she was a real historical figure. Though Holland reifies ancient legends by having Athenian girls literally turn into bears at will and Spartans of both sexes into wolves, he also sticks closely to the historical plotline while delivering pithy accounts of numerous myths and disturbing details of growing up in Sparta. Gorgo lays out in detail the political situation that led to the successive invasions and recounts Greek heroics at the battles of Marathon, Salamis, and Plataea. As a wolf, she witnesses the doomed stand of her husband (and half uncle) Leonidas at Thermopylae, with the illustrator treating readers to the particularly lurid sight of Leonidas’ severed head mounted on a spear. “Know that what you have read is the truth,” she concludes, but what may stick with readers is not so much what happened as the violence the book glorifies. Characters are pictured with a variety of skin tones.

Dark and brutal.