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HELL

THE POSSESSION AND EXORCISM OF CASSIE STEVENS

A creepy horror yarn that triumphantly focuses on the protagonist over the exorcism.

A 16-year-old girl is relentlessly tormented by a demon that has latched onto her in this supernatural novel.

After her father’s death, Maine teenager Cassie Stevens, depressed and withdrawn, befriends like-minded goths Seth, Silvia, and Trish. But while those three are intrigued by attending a bona fide Black Mass, Cassie is disturbed, especially when, shortly thereafter, she begins feeling a mysterious presence inside her. Her mom, teachers, and peers notice her ensuing behavior: She uncharacteristically lashes out at others with little or no provocation. Things only get worse: On Halloween night, she and her friends are in a car wreck that technically kills Cassie, though doctors revive her minutes later. Unfortunately, she believes something has followed her back from death. Cassie sees ghostly figures that trash rooms, intermittently hears “the shrill” (a fierce sound only she can detect), and, at one point, loses control of her body to what she’s determined is a demon. Most think this is merely Cassie’s psychosis, including Father Sean McCready, who just lost the love of his life, Amy Duval, to an aneurysm. But he soon realizes that if the church doesn’t perform an exorcism for Cassie, the girl will surely die. Though Lewis’ (Aftermath, 2015) novel checks off a few conventions of exorcism stories (for example, a priest seemingly questioning his faith), it also deviates with a concentration on Cassie. For example, demonic possession doesn’t overtake her for the narrative’s duration. Rather, the tale shows firsthand what she endures, often via her senses: the shrill, an inexplicable stench, and glimpsing a “ghoulish face.” Even sans supernatural elements, Cassie is an intriguing protagonist: She’s a high schooler dealing with her dad’s death and suffering the cruelty of bullies. The story is swift and spooky, from whispering voices and Cassie’s unsettling dreams to the demon’s surprisingly offing other characters. There is, however, a crucial plot twist—revealed well before the end—that readers will likely predict.

A creepy horror yarn that triumphantly focuses on the protagonist over the exorcism.

Pub Date: Oct. 9, 2018

ISBN: 978-1-72684-594-6

Page Count: 373

Publisher: Time Tunnel Media

Review Posted Online: Nov. 8, 2018

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THE ALCHEMIST

Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind. 

 The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility. 

 Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Pub Date: July 1, 1993

ISBN: 0-06-250217-4

Page Count: 192

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 1993

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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