Lewis amply shows how close D.C. came to being an ugly patchwork town, and he cites the congressmen who fought to keep it...
Lewis (English/Skidmore Coll.; The Hudson: A History, 2005, etc.) follows the evolution of the symbolic place of Washington, D.C., in the consciousness of Americans.
Before it was ever the capital of the United States, the city was the subject of fierce debate and a compromise distasteful to most involved. Thomas Jefferson and James Madison wanted a Southern capitol, away from the Northern mercantilism. The only way they could achieve that goal was to allow Alexander Hamilton to assume states’ Revolutionary War debt. Congress didn’t provide funding for building, and there were labor problems and a string of inept architects. Peter Charles L’Enfant, with his brilliant master plan, was so arrogant that Washington fired him within two years; his plan was ignored, redrawn, and set aside. Congress declared itself the governing body of the district and continually ignored the populace’s frustrating attempts at self-rule. Neither did it provide for defense, leading to the burning of the city in 1814. The author stresses that it was a Southern city in geography as well as culture. The treatment of freedmen and blacks in general was decidedly Southern well into the 20th century. Eschewing a historical narrative, Lewis explains the character of the city, how it developed, the dastardly building mistakes, and how a few particular characters helped define it. Those few were responsible for bringing life to the city: William Corcoran, Oliver Howard, Alexander Shepherd, and Alexander Cassatt, to name a few. What brought about a return to L’Enfant’s plan was the formation of the Senate Park Commission in 1901, made up of Frederick Law Olmsted Jr., Augustus Saint-Gaudens, Daniel Burnham, and Charles McKim.
Lewis amply shows how close D.C. came to being an ugly patchwork town, and he cites the congressmen who fought to keep it Southern and the Gilded Age men who used their money for its good. Those who enjoy the city will enjoy this book.Pub Date: Oct. 13, 2015
ISBN: 978-0-465-03921-0
Page Count: 544
Publisher: Basic Books
Review Posted Online: July 24, 2015
Kirkus Reviews Issue: Aug. 15, 2015
BOOK REVIEW
BOOK REVIEW
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.
Greed, depravity, and serial murder in 1920s Oklahoma.
During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorkerstaff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.Pub Date: April 18, 2017
ISBN: 978-0-385-53424-6
Page Count: 352
Publisher: Doubleday
Review Posted Online: Feb. 1, 2017
Kirkus Reviews Issue: Feb. 15, 2017
BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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