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MOO-MOO, I LOVE YOU!

A moo-ve-lous, moo-ving tribute to love for a child.

Cowabunga! Love is surely the cow’s moo-ow!

In this brief, adorable lovefest, a black-and-white adult bovine caregiver expresses heartfelt adoration for its little one using delightful, comical plays on the word moo. Some of the puns are obvious, though they’ll be no less chuckle-inducing to young readers/listeners. Take, for instance, the words moo-d, moo-vies, moo-sic, and moo-se. (A delicious, winking nod to a very famous children’s-book title also appears near the end.) Some puns are trickier, with moo’s occurring midword—hu-moo-r; marsh-moo-llows—and/or appearing in less familiar words, such as moo-zzarella, com-moo-nicator, and sch-moo-zing. In every case, moo is depicted with the o’s filled in so it stands out in sharp relief whenever it appears. This helps youngsters identify targeted words both visually and aurally. Aside from its value as a very simply told, sweet, humorous, reassuring charmer, this book develops vocabulary creatively. After children have listened to the story, they should have an udderly grand time volunteering their own word lists that might include plays on moo and other cow-related words. Even the calf in the story gets into the act with its own moo pun at the end. Simple illustrations feature bold outlines; a basic tan, black, and white palette with touches of red; and occasional changes in lettering and font for emphasis. (This book was reviewed digitally with 9.5-by-19-inch double-page spreads viewed at 82.8% of actual size.)

A moo-ve-lous, moo-ving tribute to love for a child. (Picture book. 3-7)

Pub Date: Sept. 22, 2020

ISBN: 978-1-4197-4706-9

Page Count: 48

Publisher: Abrams

Review Posted Online: July 13, 2020

Kirkus Reviews Issue: Aug. 1, 2020

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CARPENTER'S HELPER

Renata’s wren encounter proves magical, one most children could only wish to experience outside of this lovely story.

A home-renovation project is interrupted by a family of wrens, allowing a young girl an up-close glimpse of nature.

Renata and her father enjoy working on upgrading their bathroom, installing a clawfoot bathtub, and cutting a space for a new window. One warm night, after Papi leaves the window space open, two wrens begin making a nest in the bathroom. Rather than seeing it as an unfortunate delay of their project, Renata and Papi decide to let the avian carpenters continue their work. Renata witnesses the birth of four chicks as their rosy eggs split open “like coats that are suddenly too small.” Renata finds at a crucial moment that she can help the chicks learn to fly, even with the bittersweet knowledge that it will only hasten their exits from her life. Rosen uses lively language and well-chosen details to move the story of the baby birds forward. The text suggests the strong bond built by this Afro-Latinx father and daughter with their ongoing project without needing to point it out explicitly, a light touch in a picture book full of delicate, well-drawn moments and precise wording. Garoche’s drawings are impressively detailed, from the nest’s many small bits to the developing first feathers on the chicks and the wall smudges and exposed wiring of the renovation. (This book was reviewed digitally with 10-by-20-inch double-page spreads viewed at actual size.)

Renata’s wren encounter proves magical, one most children could only wish to experience outside of this lovely story. (Picture book. 3-7)

Pub Date: March 16, 2021

ISBN: 978-0-593-12320-1

Page Count: 40

Publisher: Schwartz & Wade/Random

Review Posted Online: Jan. 12, 2021

Kirkus Reviews Issue: Feb. 1, 2021

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THERE'S A ROCK CONCERT IN MY BEDROOM

Nice enough but not worth repeat reads.

Emma deals with jitters before playing the guitar in the school talent show.

Pop musician Kevin Jonas and his wife, Danielle, put performance at the center of their picture-book debut. When Emma is intimidated by her very talented friends, the encouragement of her younger sister, Bella, and the support of her family help her to shine her own light. The story is straightforward and the moral familiar: Draw strength from your family and within to overcome your fears. Employing the performance-anxiety trope that’s been written many times over, the book plods along predictably—there’s nothing really new or surprising here. Dawson’s full-color digital illustrations center a White-presenting family along with Emma’s three friends of color: Jamila has tanned skin and wears a hijab; Wendy has dark brown skin and Afro puffs; and Luis has medium brown skin. Emma’s expressive eyes and face are the real draw of the artwork—from worry to embarrassment to joy, it’s clear what she’s feeling. A standout double-page spread depicts Emma’s talent show performance, with a rainbow swirl of music erupting from an amp and Emma rocking a glam outfit and electric guitar. Overall, the book reads pretty plainly, buoyed largely by the artwork. (This book was reviewed digitally.)

Nice enough but not worth repeat reads. (Picture book. 4-6)

Pub Date: March 29, 2022

ISBN: 978-0-593-35207-6

Page Count: 40

Publisher: Razorbill/Penguin

Review Posted Online: Feb. 8, 2022

Kirkus Reviews Issue: March 1, 2022

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