Mead faithfully replicates all the loving artifice and teasing engagement of golden-age puzzlers in this superior pastiche.
Mead’s debut novel is a valentine to the locked-room puzzles of John Dickson Carr, to whom it is dedicated.
London, 1936. Shortly after a mysterious and unexpected late-night visitor leaves the home of Dr. Anselm Rees in Dollis Hill, the uneasy members of his household contrive to enter his locked study and find the Viennese-born psychologist with his throat cut. Suspicion immediately falls on his daughter, psychologist Dr. Lidia Rees, and her all-but-fiance, playboy financier Marcus Bowman, but it isn’t long before Inspector George Flint, still baffled by the killer’s ability to escape a room locked from the inside, turns instead to the three patients the dead man had taken on since arriving in London. Floyd Stenhouse, Patient A, is a Philharmonic violinist tormented by dreams of snakes. Della Cookson, Patient B, is a kleptomaniac actress currently starring in Miss Death, which has just opened at the Pomegranate Theatre. Claude Weaver, Patient C, is a suspense novelist subject to blackouts. The waters are further muddied by the equally miraculous theft of a valuable painting from the home of theatrical impresario Benjamin Teasel and a murder at Dufresne Court, where Stenhouse lives. Luckily, Flint’s friend Joseph Spector is a professional magician whose eyes are alert to every deception and whose experience with illusions of every kind allows him to pierce the veil at Dollis Hill with a panache that would make Carr proud.
Mead faithfully replicates all the loving artifice and teasing engagement of golden-age puzzlers in this superior pastiche.Pub Date: July 12, 2022
ISBN: 978-1-61316-318-4
Page Count: 288
Publisher: Mysterious Press
Review Posted Online: April 12, 2022
Kirkus Reviews Issue: May 1, 2022
BOOK REVIEW
BOOK REVIEW
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
An expertly crafted page-turner with unpredictable twists, steamy romance, and magical creatures.
A princess and a gladiator join forces amidst political intrigue and bloody carnage in Robson’s fantasy novel.
For the citizens of the wealthy kingdom of Arrow, the most exciting entertainment can be found in the arena—for the gladiators from the surrounding kingdoms, it’s a relentlessly brutal series of fights to the death. The combatants hope to win enough matches to earn the royal title of “Bloodguard,” which will allow their families to immigrate to Arrow. Leith, a gladiator in his mid-20s, is a skilled fighter driven by his desperation to support his mother and two younger sisters (and by the rage built from years of killing his peers for an audience’s delectation). After killing the arrogant Lord Filip (who challenged him to an impromptu duel) and subsequently emerging victorious in a surprise melee with a group of his peers and a dragon, Leith is getting closer to becoming a Bloodguard. He attracts the attention of Princess Maeve, a 20-year-old healer. Now that her fiance, Lord Filip, is dead, she’s in dire need of a noble spouse so that she can claim the throne when she turns 21. Maeve proposes a deal: She’ll help Leith achieve the Bloodguard status in exchange for his hand in marriage. But as their relationship blossoms, problems arise when royal secrets are revealed and government corruption is exposed. Soon, they’re not just vying for a title and a crown—they’re fighting for their lives. Robson’s novel is an exciting blend of action, palace intrigue, and romance in a high fantasy setting. The story unfolds through the perspectives of Maeve and Leith, who are both compelling and well developed, with flaws, foibles, and distinctive voices. The supporting characters are equally intriguing. Readers will love the richly detailed worldbuilding and combat sequences, as well as the use of snarky, modern language (“Of course the only royal offering me help is one who’s clawing her way to the throne, not already sitting pretty on one. That tracks,” Leith gripes). The book’s thoughtful queer representation and exploration of oppression and exploitation are also noteworthy.
An expertly crafted page-turner with unpredictable twists, steamy romance, and magical creatures.Pub Date: Oct. 22, 2024
ISBN: 9781649374059
Page Count: 448
Publisher: Entangled: Red Tower Books
Review Posted Online: Sept. 3, 2024
Kirkus Reviews Issue: Nov. 1, 2024
Review Program: Kirkus Indie
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