Fans of conspiracy theories will find this a source of endless fascination.
Who put Charlie and the Family up to their murderous mischief? This long excursus on the killings that terrified Los Angeles 50 years ago suggests some unlikely answers.
How did it happen that a bunch of peace freaks turned into a band of homicidal maniacs? In this overlong but provocative barrage, freelance journalist O’Neill charts a series of conjectures that begins with famed prosecutor Vincent Bugliosi and ends in the dark chambers of the intelligence community. The logic goes something like this: It’s useful to control people’s minds, but it’s difficult to accomplish if they’re sane. If they’re a little off balance, needy, and disaffected, though, then give them a charismatic leader and some chores, and voilà—and along the way, if LSD is involved, then you can serve up an object lesson about the dangers of drugs. O’Neill’s thesis has its possibilities, but, like Oliver Stone’s JFK—and the Kennedy assassination figures here—it’s not so much that he ventures a theory as that he ventures all of them: The FBI wanted to whip up racial division to divide the New Left from the Black Panthers, Manson was an agent provocateur, record producer and Hollywood insider Terry Melcher had a hand in the whole thing, Beach Boy Dennis Wilson was a silent partner. And then there was Roman Polanski and his weird proclivities—as O’Neill writes, “remember how Susan Atkins wrote the word ‘Pig’ on the front door of Cielo Drive, in Sharon Tate’s blood?” But what if she really wrote something else? It’s all too much. Among the best aspects of the book are the author’s confessions of the many dead ends and blank spots he encountered, as when he confronted Bugliosi with the suggestion that he knew more than he was letting on and in fact covered up some of the evidence. “It was the wrong move,” he writes. “I’d intended to build to this moment, and now I was leading with it, giving him every reason to take a contentious tone.”
Fans of conspiracy theories will find this a source of endless fascination.Pub Date: June 25, 2019
ISBN: 978-0-316-47755-0
Page Count: 544
Publisher: Little, Brown
Review Posted Online: April 22, 2019
Kirkus Reviews Issue: May 15, 2019
BOOK REVIEW
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.
Greed, depravity, and serial murder in 1920s Oklahoma.
During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorkerstaff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.Pub Date: April 18, 2017
ISBN: 978-0-385-53424-6
Page Count: 352
Publisher: Doubleday
Review Posted Online: Feb. 1, 2017
Kirkus Reviews Issue: Feb. 15, 2017
BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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