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YOU'RE DOING GREAT!

Name: YOU'RE DOING GREAT!
Author: Tom Papa
ISBN: 978-1-250-24039-2

AND OTHER REASONS TO STAY ALIVE

by Tom Papa ‧ RELEASE DATE: May 12, 2020

Entertaining essays from a genial guide.

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A comedian muses on life, love, and simple pleasures.

Host of a daily SiriusXM show as well as a podcast, Papa gives ample evidence of his “ability to live on the happy side of the street” in a collection of funny, warmhearted essays whose overarching messages are, “we should be grateful for what we have” and “shouldn’t take life all that seriously.” The author is thankful for many things, including coffee (at the first sip each morning, he writes, “my entire being knows the day is about to improve”); baking bread, which he does with unabashed pleasure; a weekly date night, which he claims keeps a marriage happy; gathering for dinner with his wife and two daughters (“I just want to look up and see them and have them see me and realize we’re family. That’s why we eat together”); and indulging his desires at 7-Eleven stores, “crammed with everything you could ever need or want, just waiting for your arrival like delicious outposts on the modern-day prairie.” Papa encourages everyone to find someone to love, which, with 7 billion people in the world, should not be difficult. Love, he writes, is “finding someone whose flaws you can put up with.” Certainly, a few things annoy the author: loud, rude people, for example, who invade places that should be quiet and soothing, like breakfast rooms of motels. But if a few essays display irritation, most are generously encouraging. “Our minds are our worst critics,” he writes. “We do it to ourselves.” To keep thinking positively, Papa advises, “you need to avoid anything that can bring you down.” The most delightful essay is a nostalgic paean, reminiscent of E.B. White, to the funky, close-knit Manhattan neighborhood where he and his wife first lived: “we loved it, we loved each other, and even if we wanted to leave, our roots were growing deeper.”

Entertaining essays from a genial guide.

Pub Date: May 12, 2020

ISBN: 978-1-250-24039-2

Page Count: 304

Publisher: St. Martin's

Review Posted Online: Feb. 9, 2020

Kirkus Reviews Issue: March 1, 2020

Categories:

GENERAL NONFICTION

- BOOK REVIEW
WE'RE ALL IN THIS TOGETHER...
by Tom Papa

- BOOK REVIEW
YOUR DAD STOLE MY RAKE
by Tom Papa

- PERSPECTIVES
The Joys of Clean Comedy

- PERSPECTIVES
Best of 2020: A Year of Kirkus Video Interviews

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NUTCRACKER

by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996

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This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

Categories:

GENERAL NONFICTION

- BOOK REVIEW
THE NUTCRACKER AND THE MOUSE KING
by E.T.A. Hoffmann ; adapted by Natalie Andrewson ; illustrated by Natalie Andrewson

- BOOK REVIEW
THE NUTCRACKER
by E.T.A. Hoffmann & illustrated by Julie Paschkis

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

by Ludwig Bemelmans ‧ RELEASE DATE: Feb. 23, 1955

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An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.