Alternately light and moving, Bad Haircut is a first collection of short stories about a boy growing up in Darwin, New Jersey, during the '70s and early '80s. Buddy is an ordinary boy whose life's dramas are acted out on the stage of his suburban streets. The first stories in the collection are the least satisfying. In ``The Weiner Man,'' Buddy is a Boy Scout who learns that the mascot of a hot-dog company is an old friend of his mother's; in ``Thirteen,'' he watches his friend Kevin struggle with his parents' divorce and find a fast girlfriend. The stories become more engaging as Buddy enters high school. In ``Race Riot,'' in which Buddy steals a black child's basketball after a rumble is canceled, and in ``Snowman,'' in which he mistakenly takes revenge for a fight on an innocent neighbor, Perrotta captures with humor and stinging observation the peer pressures that make good boys do stupid and cruel things with their friends. Buddy learns from his regret, and in ``Forgiveness,'' he admires a sensitive, honorable high school jock who stands up for himself in the face of conflict. In one of the funniest stories in the bunch, ``You Start to Live,'' Buddy takes driver's education with a racy classmate, Laura, who gives him his first taste of sex, a broken heart, and a bad haircut. In two stories later in the book, ``The Jane Pasco Fan Club'' and ``Just the Way We Were,'' Buddy struggles to find love with no luck—Jane Pasco goes back to her old boyfriend, the mayor's son, who gets her on television, and prom-date Sharon turns out to be a lesbian. A balanced humorous and sometimes poignant collection, that, despite its strengths, may be more for the Sassy set than for that of the New Yorker.
Pub Date: June 8, 1994
ISBN: 1-882593-05-7
Page Count: 208
Publisher: Bridge Works
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 15, 1994
It's being called a novel, but it is more a hybrid: short-stories/essays/confessions about the Vietnam War—the subject that O'Brien reasonably comes back to with every book. Some of these stories/memoirs are very good in their starkness and factualness: the title piece, about what a foot soldier actually has on him (weights included) at any given time, lends a palpability that makes the emotional freight (fear, horror, guilt) correspond superbly. Maybe the most moving piece here is "On The Rainy River," about a draftee's ambivalence about going, and how he decided to go: "I would go to war—I would kill and maybe die—because I was embarrassed not to." But so much else is so structurally coy that real effects are muted and disadvantaged: O'Brien is writing a book more about earnestness than about war, and the peekaboos of this isn't really me but of course it truly is serve no true purpose. They make this an annoyingly arty book, hiding more than not behind Hemingwayesque time-signatures and puerile repetitions about war (and memory and everything else, for that matter) being hell and heaven both. A disappointment.
Pub Date: March 28, 1990
ISBN: 0618706410
Page Count: 256
Publisher: Houghton Mifflin
Review Posted Online: Oct. 2, 2011
Kirkus Reviews Issue: Feb. 15, 1990
SEEN & HEARD
IN THE NEWS
SEEN & HEARD
A newcomer to watch: fresh, funny, and tough.
Seven stories, including a couple of prizewinners, from an exuberantly talented young Thai-American writer.
In the poignant title story, a young man accompanies his mother to Kok Lukmak, the last in the chain of Andaman Islands—where the two can behave like “farangs,” or foreigners, for once. It’s his last summer before college, her last before losing her eyesight. As he adjusts to his unsentimental mother’s acceptance of her fate, they make tentative steps toward the future. “Farangs,” included in Best New American Voices 2005 (p. 711), is about a flirtation between a Thai teenager who keeps a pet pig named Clint Eastwood and an American girl who wanders around in a bikini. His mother, who runs a motel after having been deserted by the boy’s American father, warns him about “bonking” one of the guests. “Draft Day” concerns a relieved but guilty young man whose father has bribed him out of the draft, and in “Don’t Let Me Die in This Place,” a bitter grandfather has moved from the States to Bangkok to live with his son, his Thai daughter-in-law, and two grandchildren. The grandfather’s grudging adjustment to the move and to his loss of autonomy (from a stroke) is accelerated by a visit to a carnival, where he urges the whole family into a game of bumper cars. The longest story, “Cockfighter,” is an astonishing coming-of-ager about feisty Ladda, 15, who watches as her father, once the best cockfighter in town, loses his status, money, and dignity to Little Jui, 16, a meth addict whose father is the local crime boss. Even Ladda is in danger, as Little Jui’s bodyguards try to abduct her. Her mother tells Ladda a family secret about her father’s failure of courage in fighting Big Jui to save his own sister’s honor. By the time Little Jui has had her father beaten and his ear cut off, Ladda has begun to realize how she must fend for herself.
A newcomer to watch: fresh, funny, and tough.Pub Date: Jan. 1, 2005
ISBN: 0-8021-1788-0
Page Count: 224
Publisher: Grove
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 15, 2004
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