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THE ABSTINENCE TEACHER

Ruefully humorous and tenderly understanding of human folly: the most mature, accomplished work yet from this deservedly...

Sex education, soccer and Christian fundamentalism make strange bedfellows in Perrotta’s shrewd yet compassionate fifth novel.

Neither as dark as Little Children (2004) nor as scathingly funny as Election (1998), like them it displays the author’s wide-ranging empathy. Readers will certainly sympathize with Ruth Ramsey, the high-school teacher whose unwary response to a provocative classroom question about oral sex leads to her being saddled with a not-so-covertly Christian sex-ed curriculum. But Perrotta encourages us to respect all his characters, including the ones who belong to the Tabernacle of the Gospel Truth, source of the threatened lawsuit that’s forced Ruth to tout the joys of abstinence. Among the believers is Tim Mason, a former rock musician and substance abuser who cleaned up with the help of the Tabernacle’s Pastor Dennis, both a warm, nurturing shepherd to his flock and an unforgiving purveyor of hard-line doctrine. Ruth’s older daughter Maggie plays on the soccer team Tim coaches, and she’s outraged when he spontaneously leads them in a prayer after a hard-fought victory. That’s about all the plot there is, as Ruth attempts to recruit other parents for a letter of protest and discovers that even in the affluent Northeastern suburb of Stonewood Heights the Christian right is a force to be reckoned with. Tim is beginning to have his doubts about his faith and especially about his marriage to Carrie, a sweet, much-younger woman who can’t eradicate either his lustful memories of his ex-wife or his burgeoning attraction to Ruth. Perrotta makes gentle fun of Carrie dutifully leafing through a copy of Hot Christian Sex: The Godly Way to Spice Up Your Marriage, but also of Ruth’s gay pal Gregory making elaborate dioramas of Parisian cafes featuring French Resistance Fighter GI Joes clad in black turtlenecks and berets. Confusion and regret are as much the subjects here as religious controversy.

Ruefully humorous and tenderly understanding of human folly: the most mature, accomplished work yet from this deservedly bestselling author.

Pub Date: Oct. 1, 2007

ISBN: 978-0-312-35833-4

Page Count: 336

Publisher: St. Martin's

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 1, 2007

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CONCLAVE

An illuminating read for anyone interested in the inner workings of the Catholic Church; for prelate-fiction superfans, it...

Harris, creator of grand, symphonic thrillers from Fatherland (1992) to An Officer and a Spy (2014), scores with a chamber piece of a novel set in the Vatican in the days after a fictional pope dies.

Fictional, yes, but the nameless pontiff has a lot in common with our own Francis: he’s famously humble, shunning the lavish Apostolic Palace for a small apartment, and he is committed to leading a church that engages with the world and its problems. In the aftermath of his sudden death, rumors circulate about the pope’s intention to fire certain cardinals. At the center of the action is Cardinal Lomeli, Dean of the College of Cardinals, whose job it is to manage the conclave that will elect a new pope. He believes it is also his duty to uncover what the pope knew before he died because some of the cardinals in question are in the running to succeed him. “In the running” is an apt phrase because, as described by Harris, the papal conclave is the ultimate political backroom—albeit a room, the Sistine Chapel, covered with Michelangelo frescoes. Vying for the papal crown are an African cardinal whom many want to see as the first black pope, a press-savvy Canadian, an Italian arch-conservative (think Cardinal Scalia), and an Italian liberal who wants to continue the late pope’s campaign to modernize the church. The novel glories in the ancient rituals that constitute the election process while still grounding that process in the real world: the Sistine Chapel is fitted with jamming devices to thwart electronic eavesdropping, and the pressure to act quickly is increased because “rumours that the pope is dead are already trending on social media.”

An illuminating read for anyone interested in the inner workings of the Catholic Church; for prelate-fiction superfans, it is pure temptation.

Pub Date: Nov. 22, 2016

ISBN: 978-0-451-49344-6

Page Count: 304

Publisher: Knopf

Review Posted Online: Sept. 6, 2016

Kirkus Reviews Issue: Sept. 15, 2016

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THE SECRET HISTORY

The Brat Pack meets The Bacchae in this precious, way-too-long, and utterly unsuspenseful town-and-gown murder tale. A bunch of ever-so-mandarin college kids in a small Vermont school are the eager epigones of an aloof classics professor, and in their exclusivity and snobbishness and eagerness to please their teacher, they are moved to try to enact Dionysian frenzies in the woods. During the only one that actually comes off, a local farmer happens upon them—and they kill him. But the death isn't ruled a murder—and might never have been if one of the gang—a cadging sybarite named Bunny Corcoran—hadn't shown signs of cracking under the secret's weight. And so he too is dispatched. The narrator, a blank-slate Californian named Richard Pepen chronicles the coverup. But if you're thinking remorse-drama, conscience masque, or even semi-trashy who'll-break-first? page-turner, forget it: This is a straight gee-whiz, first-to-have-ever-noticed college novel—"Hampden College, as a body, was always strangely prone to hysteria. Whether from isolation, malice, or simple boredom, people there were far more credulous and excitable than educated people are generally thought to be, and this hermetic, overheated atmosphere made it a thriving black petri dish of melodrama and distortion." First-novelist Tartt goes muzzy when she has to describe human confrontations (the murder, or sex, or even the ping-ponging of fear), and is much more comfortable in transcribing aimless dorm-room paranoia or the TV shows that the malefactors anesthetize themselves with as fate ticks down. By telegraphing the murders, Tartt wants us to be continually horrified at these kids—while inviting us to semi-enjoy their manneristic fetishes and refined tastes. This ersatz-Fitzgerald mix of moralizing and mirror-looking (Jay McInerney shook and poured the shaker first) is very 80's—and in Tartt's strenuous version already seems dated, formulaic. Les Nerds du Mal—and about as deep (if not nearly as involving) as a TV movie.

Pub Date: Sept. 16, 1992

ISBN: 1400031702

Page Count: 592

Publisher: Knopf

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 1, 1992

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