Brilliantly structured, beautifully written and profoundly sad.
Rachman follows his best-selling debut (The Imperfectionists, 2010) with the haunting tale of a young woman reassessing her turbulent past.
In 2011, Tooly has washed up after a lifetime of wandering in a small Welsh village, where she uses the last of her money to buy a used bookstore. Twelve years earlier, in 1999, she’s a vagabond 20-year-old on the streets of New York City who talks her way into law student Duncan’s apartment by pretending it was her childhood home. Actually, her childhood was spent traveling around Asia with her father, Paul, until, in 1988, she’s scooped up in Bangkok by her feckless mother, Sarah, and falls in with a band of peripatetic misfits led by Venn, a coolly manipulative con man. The three storylines proceed along their separate time tracks to collectively explore how Tooly came to be the remote, hard-drinking young woman who seems to be marking time in Wales. We see that she’s been indelibly scarred by Venn: He imprinted her with his philosophy of relating to people only on the basis of how useful they can be to you; let her believe they had a special friendship as she followed him from country to country and scam to scam; then vanished just after she turned 21 in New York. The revelation of why he let her hang around for a decade forms the novel’s brutal climax, articulated by Venn with matter-of-fact cruelty after Tooly tracks him down. She does have gentler, more nurturing father figures: not just Paul, with whom she reconnects in a tender scene, but Humphrey, the elderly Russian émigré who tried to shelter her from Venn’s influence and softened her fall after he left—though she doesn’t realize this until years later. Still, the overwhelming emotions here are loss and regret, as Tooly realizes how she was alienated from her own best instincts by a charismatic sociopath.
Brilliantly structured, beautifully written and profoundly sad.Pub Date: May 27, 2014
ISBN: 978-0-679-64365-4
Page Count: 400
Publisher: Dial Press
Review Posted Online: April 16, 2014
Kirkus Reviews Issue: May 1, 2014
PROFILES
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.
Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.
Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.Pub Date: April 24, 2018
ISBN: 978-1-5011-5464-5
Page Count: 368
Publisher: Atria
Review Posted Online: Feb. 5, 2018
Kirkus Reviews Issue: Feb. 15, 2018
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