A lot of fun, but less so if an overdeveloped sense of reader-duty won’t let you pass by the plotstopping diatribes that...
Longterm hospital patients or transcontinental Greyhound riders might happily kill time trudging through Robbins’s lectures on every hackneyed social evil from advertising to dogmatism. Everyone else, skip over the pageslong polemics, and enjoy a whimsical tall tale of a potsmoking, teenagershagging CIA agent who travels the globe in hopes of shaking a South American shaman’s curse.
A trip up the Amazon to repatriate his grandmother’s parrot finds the Zenmeditating spymaster Switters peacepiping with a jungledwelling guru who, in exchange for a drugtripcumglimpseofdivine truth, exacts a price: Switters's feet must never again touch the ground, lest he be struck instantly dead. Any doubt in the curse’s authenticity bites the dust when his acquaintance, similarly cursed to die upon touching another man’s penis, keels over the moment he gingerly prods, as a test, Switters’s purposefully exposed member. Switters, taking no chances, rolls himself back to the US in a wheelchair, determined not to allow his feet on the ground until the curse is undone. Temporarily distracted from his predicament by lust for his 16yearold stepsister, he solicitously assists with her school paper on the prophecies of the Lady of Fatima and then, through a series of amusing, unbelievable plot twists, ends up in a convent of excommunicated Catholic nuns in the Syrian desert where the Lady’s prophecies are actually kept. Switters now finds himself in requited yet unconsummated love with one of the chaste, and arbitrating the convent's potentially lifethreatening dispute with the Vatican. One way or another, all is resolved—from curse to pedophilic crush to Vatican standoff—when Switters’s feet finally do touch the ground again.
A lot of fun, but less so if an overdeveloped sense of reader-duty won’t let you pass by the plotstopping diatribes that have become Robbins’s habit (Half Asleep in Frog Pajamas, 1994, etc.). (Author tour)Pub Date: May 9, 2000
ISBN: 0-553-10775-5
Page Count: 432
Publisher: Bantam
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 15, 2000
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.
Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind.
The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility.
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.Pub Date: July 1, 1993
ISBN: 0-06-250217-4
Page Count: 192
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1993
SEEN & HEARD
SEEN & HEARD
BOOK TO SCREEN
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