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WILD DUCKS FLYING BACKWARD

THE SHORT WRITINGS OF TOM ROBBINS

Fun for a time, but marred by the suspicion that Robbins may be trying too hard.

The whirling dervish lit-hippie of Seattle fires off a shotgun-full of enthusiasms at whatever strikes his fancy—and occasionally hits.

Novelist Robbins (Villa Incognito, 2003, etc.) is hardly the kind of writer to exercise restraint, and indeed a restrained Robbins wouldn’t be any fun. But even just a little bit of Robbins can be too much, and the proof is in this collection of short fiction, nonfiction, ruminations and poems. The feast of stories included were originally mostly magazine pieces—for Esquire, GQ, Artforum, High Times, etc.—that span almost four decades. Robbins has a lot of likes, and what he likes he really, really likes. Take his spastic review of a Doors concert: “Their style is early cunnilingual, late patricidal…carnivores in a land of musical vegetarians.” He can wax enthusiastic on everything from Wonder Bread and mayonnaise (two of the main ingredients of his last dinner, should he ever be on death row) to his rain-soaked hometown of Seattle. Sometimes it all gets drowned in tidal waves of excess. There are still some gems amid the hollering and clowning. On Leonard Cohen: “Nobody can say the word ‘naked’ as nakedly as Cohen. He makes us see the markings where the pantyhose have been.” On Thomas Pynchon: “Pynchon has got both hands on the thunderbolt machine.” He even makes a good travel piece out of a search for Nevada’s legendary Canyon of the Vaginas. But then there’s that awfully unfunny fake feature film treatment and all the poetry. Lord, the poetry.

Fun for a time, but marred by the suspicion that Robbins may be trying too hard.

Pub Date: Sept. 6, 2005

ISBN: 0-553-80451-0

Page Count: 272

Publisher: Bantam

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 1, 2005

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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