by Tom Schaller & Paul Waldman ‧ RELEASE DATE: Feb. 27, 2024
A book of broad explanatory power that’s not likely to help mend any fences.
A view of rural America as a font of white privilege—and of resentment that the privileges aren’t greater.
Political scientist Schaller and journalist Waldman open with an example taken straight from the headlines: the uproar over Jason Aldean’s song “Try That in a Small Town,” with its implied promises of retribution in a “fantasy of vigilante violence meted out against urbanites supposedly ready to bring their criminal mayhem to the idyll of rural America.” While it’s true that rural America has been suffering, rural Americans haven’t exactly helped themselves. “There is no demographic group in America as loyal to one political party as rural Whites are to the GOP that gets less out of the deal,” write the authors, showing how this situation arose because no rural political organization exists to make the vast region an object of true interest for either Republicans or Democrats. Schaller and Waldman come close to blaming the victim in that analysis, but, as they painstakingly document, rural white Americans actually enjoy outsize influence in such things as electoral votes, to say nothing of the increasing rightward radicalization of the GOP. It’s no coincidence, they note, that nearly 75% of the votes opposing the certification of Joe Biden for president came from rural congressional districts. There’s a certain vicious circularity at work: With few news sources reaching out to rural audiences, radio is king, and radio is almost invariably hard right in orientation, eager to fuel the resentment that comes from the sense that the “real America” is disappearing in the face of demographic change. So it is that while white rural America is getting poorer, sicker, and more isolated, it’s also getting angrier—and that anger is poisoning the rest of the nation.
A book of broad explanatory power that’s not likely to help mend any fences.Pub Date: Feb. 27, 2024
ISBN: 9780593729144
Page Count: 320
Publisher: Random House
Review Posted Online: Dec. 6, 2023
Kirkus Reviews Issue: Jan. 1, 2024
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by Howard Zinn ‧ RELEASE DATE: Jan. 1, 1979
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
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by Alok Vaid-Menon ‧ RELEASE DATE: June 2, 2020
A fierce, penetrating, and empowering call for change.
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Artist and activist Vaid-Menon demonstrates how the normativity of the gender binary represses creativity and inflicts physical and emotional violence.
The author, whose parents emigrated from India, writes about how enforcement of the gender binary begins before birth and affects people in all stages of life, with people of color being especially vulnerable due to Western conceptions of gender as binary. Gender assignments create a narrative for how a person should behave, what they are allowed to like or wear, and how they express themself. Punishment of nonconformity leads to an inseparable link between gender and shame. Vaid-Menon challenges familiar arguments against gender nonconformity, breaking them down into four categories—dismissal, inconvenience, biology, and the slippery slope (fear of the consequences of acceptance). Headers in bold font create an accessible navigation experience from one analysis to the next. The prose maintains a conversational tone that feels as intimate and vulnerable as talking with a best friend. At the same time, the author's turns of phrase in moments of deep insight ring with precision and poetry. In one reflection, they write, “the most lethal part of the human body is not the fist; it is the eye. What people see and how people see it has everything to do with power.” While this short essay speaks honestly of pain and injustice, it concludes with encouragement and an invitation into a future that celebrates transformation.
A fierce, penetrating, and empowering call for change. (writing prompt) (Nonfiction. 14-adult)Pub Date: June 2, 2020
ISBN: 978-0-593-09465-5
Page Count: 64
Publisher: Penguin Workshop
Review Posted Online: March 14, 2020
Kirkus Reviews Issue: April 1, 2020
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by Shavone Charles ; illustrated by Ashley Lukashevsky
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