Satirist Sharpe returns after a lengthy hiatus, anger undimmed, in an alternately cruel and hilarious tale of greed set in a contemporary Britain blighted by the appetites set loose during Margaret Thatcher's reign. Those familiar with Sharpe's previous work will not be disappointed. This tale, like his earlier novels (Wilt on High, 1984, etc.), features violent slapstick (including a brilliantly sustained scene in which a violent, drunken husband has to contend with a surly watchdog, his wife's lesbian lover, and a drugged lout who has unknowingly crawled into bed with the wife); some spirited, acidic, precise portraits of authority gone amuck; and a grimly humorous skewering of human foibles. Although young Timothy Bright has served quite lucratively as a front man for some shady financial types during the go-go '80s, the crash in the early '90s leaves him broke. He secretly helps himself to some of his family's carefully hoarded capital and flees. The arrogant and not-very- bright Timothy bungles his getaway by running afoul of a powerful and thoroughly corrupt police superintendent. He ends up hiding out at Middenhall, a grotesque country house filled with an assortment of geriatric oddities and presided over by the formidable Miss Midden, and in the middle of a war. It turns out that the superintendent is determined to drive Miss Midden (his only opposition) from the county, the better to continue looting it. The apocalyptic climax involves a shoot-out between a police assault unit and one of the Middens, an addled hunter who mistakes them for terrorists. By the close, Sharpe, with obvious relish, has meted out punishment to the whole scapegrace lot—only the cool, practical Miss Midden survives unchanged. But while there are some wonderfully zany moments here, anger predominates. It's clear that Sharpe really is disgusted by his countrymen, whom he views as shallow, greedy, and dull. Too often, though, the anger overwhelms the satire. A ferociously inventive but uneven satire.
Pub Date: Nov. 11, 1997
ISBN: 0-87951-801-4
Page Count: 256
Publisher: Overlook
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 1, 1997
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
There are unforgettable beauties in this very sexy story.
Passion, friendship, heartbreak, and forgiveness ring true in Lovering's debut, the tale of a young woman's obsession with a man who's "good at being charming."
Long Island native Lucy Albright, starts her freshman year at Baird College in Southern California, intending to study English and journalism and become a travel writer. Stephen DeMarco, an upperclassman, is a political science major who plans to become a lawyer. Soon after they meet, Lucy tells Stephen an intensely personal story about the Unforgivable Thing, a betrayal that turned Lucy against her mother. Stephen pretends to listen to Lucy's painful disclosure, but all his thoughts are about her exposed black bra strap and her nipples pressing against her thin cotton T-shirt. It doesn't take Lucy long to realize Stephen's a "manipulative jerk" and she is "beyond pathetic" in her desire for him, but their lives are now intertwined. Their story takes seven years to unfold, but it's a fast-paced ride through hookups, breakups, and infidelities fueled by alcohol and cocaine and with oodles of sizzling sexual tension. "Lucy was an itch, a song stuck in your head or a movie you need to rewatch or a food you suddenly crave," Stephen says in one of his point-of-view chapters, which alternate with Lucy's. The ending is perfect, as Lucy figures out the dark secret Stephen has kept hidden and learns the difference between lustful addiction and mature love.
There are unforgettable beauties in this very sexy story.Pub Date: June 12, 2018
ISBN: 978-1-5011-6964-9
Page Count: 352
Publisher: Atria
Review Posted Online: March 19, 2018
Kirkus Reviews Issue: April 1, 2018
BOOK REVIEW
BOOK REVIEW
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