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THE STREETS

AN LP NOVEL

An admirable story with shades of Rocky and Boyz N the Hood, told in an uncompromising and original voice.

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In Sheridan’s debut novel, a mixed martial arts fighter struggles to raise a teenage son while dealing with unsavory elements in Woodbridge, New Jersey.

In 2001, 20-something MMA competitor Franco—who evidently resembles both Sylvester Stallone and Dwayne “The Rock” Johnson—trains hard when he’s not busy supporting his wife, Julie, and son, TJ, by working as a temporary worker at the docks for a man known as “The Frog.” But Franco’s potential fighting career is cut short by a devastating loss, during which he breaks his ankle. Seven years later, he’s divorced from his wife, but his MMA comeback may finally be on the horizon. He still handles unpleasant tasks for The Frog, such as cleaning up maggots or rat excrement at the docks. But his latest job is even dirtier: The Frog offers him a hefty sum to kill someone. Meanwhile, TJ, who lives with his mother, is staying with Franco for a few days. Father and son bond as Franco shows TJ some moves to use on a school bully. Unfortunately, criminal types soon threaten Franco’s return to the MMA cage—and threaten his loved ones, as well. Despite offering a sometimes-harrowing view of Franco’s life, Sheridan’s novel is surprisingly upbeat in tone; its resolute protagonist trains relentlessly and never gives up on his family, no matter what. The tale also addresses issues of race and social class in inspired ways, as Franco is an orphan of unknown heritage. Along the way, Sheridan’s exuberant prose entails rhythmic passages (“Had money for booze but not for shoes”) and copious wordplay (“Then onto Elizabeth and all its asphalt. Exhausted immigrants wonderin if it’s they own ass fault”). This results in a breezy narrative that complements the ever hopeful protagonist at its center.

An admirable story with shades of Rocky and Boyz N the Hood, told in an uncompromising and original voice.

Pub Date: June 1, 2018

ISBN: 978-1-73217-581-5

Page Count: 252

Publisher: Streets Creations

Review Posted Online: May 29, 2018

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THE ALCHEMIST

Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind. 

 The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility. 

 Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Pub Date: July 1, 1993

ISBN: 0-06-250217-4

Page Count: 192

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 1993

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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