An admirable story with shades of Rocky and Boyz N the Hood, told in an uncompromising and original voice.
In Sheridan’s debut novel, a mixed martial arts fighter struggles to raise a teenage son while dealing with unsavory elements in Woodbridge, New Jersey.
In 2001, 20-something MMA competitor Franco—who evidently resembles both Sylvester Stallone and Dwayne “The Rock” Johnson—trains hard when he’s not busy supporting his wife, Julie, and son, TJ, by working as a temporary worker at the docks for a man known as “The Frog.” But Franco’s potential fighting career is cut short by a devastating loss, during which he breaks his ankle. Seven years later, he’s divorced from his wife, but his MMA comeback may finally be on the horizon. He still handles unpleasant tasks for The Frog, such as cleaning up maggots or rat excrement at the docks. But his latest job is even dirtier: The Frog offers him a hefty sum to kill someone. Meanwhile, TJ, who lives with his mother, is staying with Franco for a few days. Father and son bond as Franco shows TJ some moves to use on a school bully. Unfortunately, criminal types soon threaten Franco’s return to the MMA cage—and threaten his loved ones, as well. Despite offering a sometimes-harrowing view of Franco’s life, Sheridan’s novel is surprisingly upbeat in tone; its resolute protagonist trains relentlessly and never gives up on his family, no matter what. The tale also addresses issues of race and social class in inspired ways, as Franco is an orphan of unknown heritage. Along the way, Sheridan’s exuberant prose entails rhythmic passages (“Had money for booze but not for shoes”) and copious wordplay (“Then onto Elizabeth and all its asphalt. Exhausted immigrants wonderin if it’s they own ass fault”). This results in a breezy narrative that complements the ever hopeful protagonist at its center.
An admirable story with shades of Rocky and Boyz N the Hood, told in an uncompromising and original voice.Pub Date: June 1, 2018
ISBN: 978-1-73217-581-5
Page Count: 252
Publisher: Streets Creations
Review Posted Online: May 29, 2018
Review Program: Kirkus Indie
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Heartfelt, yes, but pretty routine.
Life lessons.
Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.
Heartfelt, yes, but pretty routine.Pub Date: July 1, 2004
ISBN: 0-345-46750-7
Page Count: 400
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2004
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
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