Creative, poetic prose enhances an already potent family drama.
A retired mixed martial arts fighter and his college-student son independently strive to pull their family out of debt in the second installment of Sheridan’s (The Streets, 2018) series.
Tonio Franco Sr., a former MMA champ, now coaches hopefuls at his gym, Brawlers, in New Jersey. But Brawlers can’t keep Franco, wife Julie, and their kids from being perpetually broke. That’s why 21-year-old Tonio Jr. abandons his plan to teach and, instead, majors in finance at Jersey State University. TJ also interns on Wall Street, but a plum job opportunity doesn’t quite pan out. Around the same time, Franco worries the gym will be even worse off after his star trainee loses another match. But when Franco’s rival, Umar “The Beast” Basayev, boasts of having once defeated Franco, the 41-year-old retiree agrees to a rematch. It could finally mean big money for his family, provided Franco wins. TJ, meanwhile, starts dating fellow university student Kamara Day. She wants to be a famous singer, which dovetails with TJ’s dream of someday owning the stage as a rapper. But he may have to abandon that dream in order to earn a white-collar salary. As in his earlier novel, Sheridan displays a knack for what he dubs “lyrical prose”—a narrative rife with wordplay and rhymes. TJ, for example, muses: “So then why did T…as he drank at the bar with G…think something even more uncouth? Was there an even deeper Truth? TJ’s eyes started going REM as he heard REM.” The author’s distinctive writing, however, doesn’t outshine the plot or cast. And while the novel contends with multigenerational anxieties, it’s consistently amusing.
Creative, poetic prose enhances an already potent family drama.Pub Date: June 6, 2019
ISBN: 978-1-73217-582-2
Page Count: 240
Publisher: Streets Creations
Review Posted Online: June 9, 2019
Kirkus Reviews Issue: July 15, 2019
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
Heartfelt, yes, but pretty routine.
Life lessons.
Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.
Heartfelt, yes, but pretty routine.Pub Date: July 1, 2004
ISBN: 0-345-46750-7
Page Count: 400
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2004
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
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BOOK REVIEW
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