Provocative and eye-opening work from a dedicated artist.
A distinguished poet details his experiences reporting from war zones and refugee camps and grappling with the limits of language.
In this essay collection, Sleigh (Creative Writing/Hunter Coll.; Station Zed: Poems, 2015, etc.) showcases 10 pieces—some previously published—each of which examines the impact of war and political struggle on individual experience. He divides the book into three untitled sections. The first includes pieces the author wrote while visiting war zones in the Middle East and Africa. In “The Deeds,” he discusses his interviews with Palestinians affected by the ongoing conflict with Israel and their efforts to carve out lives in neighboring Lebanon and Syria. The plight of Somali refugees in Kenya is the subject of another essay. Not only do many not know their rights; most live in conditions conducive only to starvation and hopelessness. In the second section of the book, Sleigh meditates on the work he does as a writer reporting on the human costs of conflict. He remarks that his driving passion is for “an art in which bodily reality isn’t slighted” and that also compels the artist to continue looking at “the surfaces of the world.” Analyzing work by poets Wilfred Owen, David Jones, and Anna Akhmatova, Sleigh refines this idea by emphasizing that the true artist is one who is “empirical rather than speculative.” In the final section of the book, the author explores the personal history that formed him. He writes about how surviving a marrow disease may have pushed him beyond the fear that could have impeded him from traveling to war zones and how coming into awareness of his well-meaning parents’ racism gave rise to his own desire to understand injustice. Sleigh also remembers his beloved friend Seamus Heaney, who saw poets as “stretched between politics and transcendence.” Wry and sharply observed, Sleigh’s book bears witness to injustice as it engages in a compelling, humane quest for artistic truth.
Provocative and eye-opening work from a dedicated artist.Pub Date: Feb. 6, 2018
ISBN: 978-1-55597-796-2
Page Count: 272
Publisher: Graywolf
Review Posted Online: Oct. 29, 2017
Kirkus Reviews Issue: Nov. 15, 2017
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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