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TRAIN

RIDING THE RAILS THAT CREATED THE MODERN WORLD—FROM THE TRANS-SIBERIAN TO THE SOUTHWEST CHIEF

Great for fans of Paul Theroux’s railroad journeys, except that Zoellner isn’t anywhere near as ill-tempered, and he has a...

A rousing around-the-world paean to the rumble of the rails by accomplished journalist Zoellner (A Safeway in Arizona: What the Gabrielle Giffords Shooting Tells Us About the Grand Canyon State and Life in America, 2011, etc.).

The author, who commutes by train to his teaching job in Los Angeles, notes their utility in moving people and freight. Also, Zoellner finds trains good places to fall in love, if fleetingly, and to get reading and thinking done. Some of the things he thinks about are—well, things that it hasn’t occurred to other writers to ask about, such as the decidedly detrimental effects human excrement has on the rail lines of India: First, it eats away at the metal, and then it attracts insects that eat rail ties, telephone and signal poles, and even railroad cars themselves. (The Hindi word for “this universal human output” is goo.) Mostly, Zoellner concentrates on less icky topics, and often to memorable effect, as when he writes of a foggy journey through northern England, “a J.R.R. Tolkien vision come to life” and an “eldritch scene” to boot. England may be a land of plains and valleys “with an occasional volcanic knob on which the ruins of a fortress might be standing and one where the occupants had almost certainly sucked all the wealth from the surrounding fields and converted it into magnificent furniture and swords,” but America, with its continentally vast distances, has much catching up to do—for one thing, trains travel much slower here than they do elsewhere in the world. Having train-hopped across continents, Zoellner closes his account with a cleareyed look at what needs to happen in America if trains are to have a future—it will involve considerable infusions of money and overcoming vested-interest opposition.

Great for fans of Paul Theroux’s railroad journeys, except that Zoellner isn’t anywhere near as ill-tempered, and he has a better command of social history. A pleasure for literate travelers.

Pub Date: Feb. 3, 2014

ISBN: 978-0-670-02528-2

Page Count: 384

Publisher: Viking

Review Posted Online: Dec. 7, 2013

Kirkus Reviews Issue: Dec. 15, 2013

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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