An analytically incisive account of the Electoral College’s foibles.
McIntee gives a comprehensive critique of the Electoral College that includes a consideration of its mathematical failings.
McIntee observes that the Electoral College is not only “peculiar,” but also “immensely unpopular,” and yet it has managed to endure as an American institution since the nation’s inception. Its longevity seems partly due to a mythology that has enshrouded it, a set of misconceptions the author swiftly but rigorously dismantles. This baroque system was not, despite insistence to the contrary, created to protect the representative power of smaller states or rural parts of the country, nor does it do so. Nor was it designed in order to enshrine slavery or to discourage the popular vote. Rather, it was the result of confusion regarding the nature of democracy, more specifically who gets to vote and how. Yet according to McIntee, the Electoral College is ineffective and obsolete—it is unacceptably chaotic, often undermines democratic representation and proportionality, and does not encourage candidates to aim for politically or regionally broad appeal: These are all issues McIntee handles with clarity. Also, he furnishes a remarkably concise history of the Electoral College and its shifting permutations. The author is especially astute when appraising the Electoral College’s “basic mathematical properties” (he is a mathematician by training). Further, this is a genuinely thoughtful study and not a political polemic: “The fact is that we don’t actually know what is the best way to elect a president....We don’t honestly know how American voters will behave either in the short term or the long term when faced with an entirely different voting system.” The only failing of this otherwise edifying work is its neglect of deeper philosophical arguments in favor of the Electoral College and pertaining to the nature of federal republicanism—one can see this in his lack of serious analysis of the Federalist Papers. Nevertheless, this book remains a vital contribution to an important national debate.
An analytically incisive account of the Electoral College’s foibles.Pub Date: Jan. 6, 2023
ISBN: 9781959266006
Page Count: 238
Publisher: Hurricane Lamp Press
Review Posted Online: Dec. 13, 2022
Kirkus Reviews Issue: Feb. 1, 2023
Review Program: Kirkus Indie
Maher calls out idiocy wherever he sees it, with a comedic delivery that veers between a stiletto and a sledgehammer.
The comedian argues that the arts of moderation and common sense must be reinvigorated.
Some people are born snarky, some become snarky, and some have snarkiness thrust upon them. Judging from this book, Maher—host of HBO’s Real Time program and author of The New New Rules and When You Ride Alone, You Ride With bin Laden—is all three. As a comedian, he has a great deal of leeway to make fun of people in politics, and he often delivers hilarious swipes with a deadpan face. The author describes himself as a traditional liberal, with a disdain for Republicans (especially the MAGA variety) and a belief in free speech and personal freedom. He claims that he has stayed much the same for more than 20 years, while the left, he argues, has marched toward intolerance. He sees an addiction to extremism on both sides of the aisle, which fosters the belief that anyone who disagrees with you must be an enemy to be destroyed. However, Maher has always displayed his own streaks of extremism, and his scorched-earth takedowns eventually become problematic. The author has something nasty to say about everyone, it seems, and the sarcastic tone starts after more than 300 pages. As has been the case throughout his career, Maher is best taken in small doses. The book is worth reading for the author’s often spot-on skewering of inept politicians and celebrities, but it might be advisable to occasionally dip into it rather than read the whole thing in one sitting. Some parts of the text are hilarious, but others are merely insulting. Maher is undeniably talented, but some restraint would have produced a better book.
Maher calls out idiocy wherever he sees it, with a comedic delivery that veers between a stiletto and a sledgehammer.Pub Date: May 21, 2024
ISBN: 9781668051351
Page Count: 384
Publisher: Simon & Schuster
Review Posted Online: March 5, 2024
Kirkus Reviews Issue: April 1, 2024
BOOK REVIEW
BOOK REVIEW
A virtuoso performance and an ode to an undervalued medium created by two talented artists.
The veteran actor, comedian, and banjo player teams up with the acclaimed illustrator to create a unique book of cartoons that communicates their personalities.
Martin, also a prolific author, has always been intrigued by the cartoons strewn throughout the pages of the New Yorker. So when he was presented with the opportunity to work with Bliss, who has been a staff cartoonist at the magazine since 1997, he seized the moment. “The idea of a one-panel image with or without a caption mystified me,” he writes. “I felt like, yeah, sometimes I’m funny, but there are these other weird freaks who are actually funny.” Once the duo agreed to work together, they established their creative process, which consisted of working forward and backward: “Forwards was me conceiving of several cartoon images and captions, and Harry would select his favorites; backwards was Harry sending me sketched or fully drawn cartoons for dialogue or banners.” Sometimes, he writes, “the perfect joke occurs two seconds before deadline.” There are several cartoons depicting this method, including a humorous multipanel piece highlighting their first meeting called “They Meet,” in which Martin thinks to himself, “He’ll never be able to translate my delicate and finely honed droll notions.” In the next panel, Bliss thinks, “I’m sure he won’t understand that the comic art form is way more subtle than his blunt-force humor.” The team collaborated for a year and created 150 cartoons featuring an array of topics, “from dogs and cats to outer space and art museums.” A witty creation of a bovine family sitting down to a gourmet meal and one of Dumbo getting his comeuppance highlight the duo’s comedic talent. What also makes this project successful is the team’s keen understanding of human behavior as viewed through their unconventional comedic minds.
A virtuoso performance and an ode to an undervalued medium created by two talented artists.Pub Date: Nov. 17, 2020
ISBN: 978-1-250-26289-9
Page Count: 272
Publisher: Celadon Books
Review Posted Online: Aug. 30, 2020
Kirkus Reviews Issue: Sept. 15, 2020
PERSPECTIVES
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