An engrossing read with strong characters and a clear portrait of Nigeria then and now.
After 30 years, three college friends from Nigeria reunite for a daughter’s wedding.
As different as they are from each other, Enitan, Zainab, and Funmi were so closely entwined during their turbulent university years that it’s hard to believe they haven’t been together as a threesome since graduation. But Enitan married a redheaded Peace Corps volunteer from Connecticut and immigrated to the United States, where she’s raised a very American daughter. Zainab, the tall, elegant offspring of a Hausa academic, married one of her father’s friends and had four sons. Her husband has now suffered an incapacitating series of strokes, and she, the only one of the friends who didn't study nursing, has become a full-time caretaker. Funmi, the man-killer of the group, is rich, “as in she-has-an-apartment-in-London, shops-at-Harrods rich, as in she-also-has-a-house-in-Lekki-and-a-sprawling-compound-in-her-husband's-village rich. As in...what-her-husband-does-is-ill-defined-and-definitely-involves-bribery, but-she-prefers-not-to-think-about-it rich” The occasion of her daughter Destiny’s marriage has roused her from a midlife coma of boredom, eager to reassemble her friends, invite hundreds of people, and put on the show of the decade. The fact that Destiny shares not a whit of her enthusiasm for this event? Well, maybe if she ignores it, it will go away. Obaro’s debut is a portrait of female friendship that will feel familiar to women everywhere, but it is also infused with Nigerian cultural specificity: food, clothing, religion, music, and ambient threat. “Nigeria unleashed constant reminders of one's mortality: death via traffic accident, a bridge collapse, a plane crash, an especially bad case of malaria, a sloppy blood transfusion, a kidnapping gone wrong, robbery, stress-induced heart attack, food poisoning, an act of black magic, poverty. The ways to die were endless. That's why you had to live, and live ferociously, and often selfishly and exploitatively, but Funmi did not worry herself about these details....It was best to count your blessings and keep it moving.” Perhaps an epilogue could have remedied the abruptness of the ending, which leaves an awful lot up in the air.
An engrossing read with strong characters and a clear portrait of Nigeria then and now.Pub Date: June 28, 2022
ISBN: 978-0-593-32029-7
Page Count: 256
Publisher: Knopf
Review Posted Online: March 29, 2022
Kirkus Reviews Issue: April 15, 2022
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.
A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.
When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.Pub Date: Feb. 6, 2024
ISBN: 9781250178633
Page Count: 480
Publisher: St. Martin's
Review Posted Online: Nov. 4, 2023
Kirkus Reviews Issue: Dec. 1, 2023
PERSPECTIVES
BOOK TO SCREEN
SEEN & HEARD
"Don't go into the woods" takes on unsettling new meaning in Moore's blend of domestic drama and crime novel.
Many years after her older brother, Bear, went missing, Barbara Van Laar vanishes from the same sleepaway camp he did, leading to dark, bitter truths about her wealthy family.
One morning in 1975 at Camp Emerson—an Adirondacks summer camp owned by her family—it's discovered that 13-year-old Barbara isn't in her bed. A problem case whose unhappily married parents disdain her goth appearance and "stormy" temperament, Barbara is secretly known by one bunkmate to have slipped out every night after bedtime. But no one has a clue where's she permanently disappeared to, firing speculation that she was taken by a local serial killer known as Slitter. As Jacob Sluiter, he was convicted of 11 murders in the 1960s and recently broke out of prison. He's the one, people say, who should have been prosecuted for Bear's abduction, not a gardener who was framed. Leave it to the young and unproven assistant investigator, Judy Luptack, to press forward in uncovering the truth, unswayed by her bullying father and male colleagues who question whether women are "cut out for this work." An unsavory group portrait of the Van Laars emerges in which the children's father cruelly abuses their submissive mother, who is so traumatized by the loss of Bear—and the possible role she played in it—that she has no love left for her daughter. Picking up on the themes of families in search of themselves she explored in Long Bright River (2020), Moore draws sympathy to characters who have been subjected to spousal, parental, psychological, and physical abuse. As rich in background detail and secondary mysteries as it is, this ever-expansive, intricate, emotionally engaging novel never seems overplotted. Every piece falls skillfully into place and every character, major and minor, leaves an imprint.
"Don't go into the woods" takes on unsettling new meaning in Moore's blend of domestic drama and crime novel.Pub Date: July 2, 2024
ISBN: 9780593418918
Page Count: 496
Publisher: Riverhead
Review Posted Online: April 13, 2024
Kirkus Reviews Issue: May 15, 2024
PERSPECTIVES
SEEN & HEARD
SEEN & HEARD
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